Michal Gondko - Polonica: Lute Music With Polish Connections Around 1600 (2015)

28 Apr, 12:23
change text size:

Artist: Michal Gondko
Title Of Album: Polonica: Lute Music With Polish Connections Around 1600
Year Of Release: 2015
Label: Ramee / RAM 1406
Genre: Classical
Quality: 320 / FLAC
Total Time: 70:28 min
Total Size: 162 / 297 MB
WebSite:

Tracklist:

[Chorea] Eiusdem nationis (polonica, Dlugoraj Lute Book, Leipzig, p.405)
Chorea Polonica (Leipzig, p.404)
[Chorea Polonica] Eiusdem [Authoris] (Alberti Dlugoraj, Leipzig, p.407)
Cantio Polonica (Leipzig, p.489)
[Polnischer Tantz] (Mattheus Waissel, Tabvlatura, Frankfurt an der Oder 1591, No.1)
[Polnischer Tantz] (Waissel 1591, No.33)
[Polnischer Tantz] (Waissel 1591, No.10)
[Polnischer Tantz] (Waissel 1591, No.19)
[Polnischer Tantz] (Waissel 1591, No.13)
Villanella AD (Dlugoraj, Leipzig, p.518)
Villanella Polonica (Leipzig, p.481)
Finale Alberti Dlugorai (Jean-Baptiste Besard, Thesaurus Harmonicus, Koln 1603, f.36r)
Chorea Polonica (Leipzig, p.393)
Chorea Polonica AD (Dlugoraj, Leipzig, p.407)
Chorea Polonica (Leipzig, p.368)
Fantasia AD (Dlugoraj, based on Leipzig, p.58, & Elias Mertel, Hortus musicalis novus, Strassbourg 1615, p.190)
Polskey Tanecz Welmy Pekney (Johannes Arpinus 'The Younger', p.39)
Polnisch Tantz (lute book of Petrus Fabricius, f.83v)
Ein Polischer Tantz (Bathori) (based on lute book of Emanuel Wurstisen, p.237)
Praelud[ium] Diomed[is] (Diomedes Cato, Besard 1603, f.4v)
Galliarda di Diomede (Cato, olim BDG; Chilesotti, p.8, No.9)
Danza [Polacca] (olim BDG; Chilesotti, p.47, No.42)
Casp[ari] Polon G[agliarda] (Kasper Sielicki, Ms.M.VIIII.24, Genova, f.127r)
Fantasia Alberti Dlugorai Poloni (Besard 1603, f.27r)
A Pollish Vilanell (Tobias Hume, The First Part of Ayres, London 1605, No.16)
A Polish Ayre (Hume 1605, No.15)
Ballo Polaco (Giovanni Antonio Terzi, il secondo libro de intavolatura di liuto, Venezia 1599, p.106)
Chorea Polonica 'Mowi na mie sasiada' AF (Wurtisen, p.294)
Ein Polnischer Tantz (Zuzanneczko) (lute book of Johannes Nauclerus, f.38v)
Chancon a la Polonnoise Susannesco (Zuzanneczko, Vallet 1615, p.94)
Autre Taned Spolski (Nicolas Vallet, Secretum Musarum, Amsterdam 1615, p.94)
B[alletto] P[olacho] (Danzinger Bestand, Ms.Danzing 4022, Berlin, f.20v)
B[alletto] P[olacho] (Berlin, f.28v)
B[alletto] P[olacho] (Berlin, f.29v)
B[alletto] P[olacho] (Berlin, f.30v)
B[alletto] P[olacho] (Berlin, f.32r)
Allemande (Bathori) (Adrian Denss, Florilegium, Koln 1594, f.35v)
Taned Spolski (Haslemere, Ms.II.B.1, c.1623, f247v-248r)
Galliarda Eiusdem Authoris (Jacob Reys, Besard, Novus Partus, Augsburg 1617, p.37)
Fantasia Iac[obi] Reys (Besard 1603, f.21r)

In addition to the works attributed to the lutenists active at the Royal Polish court in the late sixteenth century, there is a substantial repertoire of compositions identified as Polish dances or Polish songs which have been preserved in numerous sources of late Renaissance lute music. Characterized by an irresistible melodic charm and a straightforward harmonic and rhythmical texture, such musical polonica spread across Europe, achieving what might have been the widest distribution of musical Polishness before Chopin. Four hundred years later, Polish lutenist Michal Gondko sets out to trace polonica in lute tablatures from around 1600, and presents a selection of forty compositions, many of which have not been previously recorded.

or

or