Hespèrion XXI, Jordi Savall - Istambul: Dimitrie Cantemir 1673-1723 (2009)
Artist: Hespèrion XXI, Jordi Savall
Title: Istambul: Dimitrie Cantemir 1673-1723
Year Of Release: 1993
Label: Alia Vox
Genre: Classical
Quality: WavPack (image+.cue,log,scans)
Total Time: 73:01
Total Size: 713 Mb
WebSite: Album Preview
Tracklist: Title: Istambul: Dimitrie Cantemir 1673-1723
Year Of Release: 1993
Label: Alia Vox
Genre: Classical
Quality: WavPack (image+.cue,log,scans)
Total Time: 73:01
Total Size: 713 Mb
WebSite: Album Preview
01. Taksim (Kanun, Vièle, Oud, Kemence et Tanbur) [2:48]
Improvisation
H. Güngör, J. Savall, Y. Tockan, M.S. Tokaç
02. Der makām-ı ‘Uzzâl uşūleş Devr-i kebīr «Büyük Devr» (Mss. Dimitri Cantemir 118) [3:03]
Anonyme (ancient)
K. Erguner, Y. Tockan, H. Güngör, D. Psonis,
D. Türkan, M.S. Tokaç, P. Estevan, F. Yarkın, J. Savall (vièle)
03. Los Paxaricos (Isaac Levy I.59) - Maciço de Rosas (I.Levy III.41) [5:06]
Sépharade (Turquie)
P. Hamon, D. El Maloumi, Y. Dalal,
G. Mouradian, H. Taboul, P. Estevan, J. Savall (lyre à archet)
04. "Taksim (Kanun) [1:36]
Improvisation
Hakan Güngör
05. Der makām-ı Muhayyer uşūleş Muhammes (Mss. D.Cantemir 285) [5:05]
Kantemiroğlu
K. Erguner, Y. Tockan, D. Psonis, D. Türkan,
M.S. Tokaç, P. Estevan, F. Yarkın, J. Savall (vièle)
06. Chant et Danse (2 Duduk et percussion) [4:01]
Tradition Arménienne
Georgi Minassyan, Haig Sarikouyoumdjian, Pedro Estevan
07. Taksim (Oud) [1:18]
Improvisation
Yurdal Tokcan
08. Der makām-ı Hüseynī Semâ’î (Mss. D.Cantemir 268) [7:49]
Baba Mest
K. Erguner, Y. Tockan, D. Türkan, D. Psonis
M.S. Tokaç, P. Estevan, F. Yarkın, H. Güngör, J. Savall (vièle)
09. El amor yo no savia (Isaac Levy II.80) [4:09]
Sépharade (Esmirna)
J. Savall, P. Hamon, Y. Dalal, D. El Maloumi,
G. Mouradian, H. Taboul, P. Estevan
10. Taksim (Lira) [1:32]
Improvisation
Derya Türkan
11. Der makām-ı Şūri Semâ’î (Mss. D.Cantemir 256) [3:33]
Anonyme (ancient)
K. Erguner, Y. Tockan, D. Psonis, D. Türkan,
M.S. Tokaç, P. Estevan, F. Yarkın, H. Güngör, J. Savall (vièle)
12. Lamento: Ene Sarére (2 Duduk) [2:35]
Barde Ashot (Arménien)
Georgi Minassyan & Haig Sarikouyoumdjian
13. Madre de la gracia (Isaac Levy III.29) [3:06]
Sépharade (Turquie)
P. Hamon, D. El Maloumi, G. Mouradian,
H. Taboul, P. Estevan, J. Savall (lyre à archet)
14. Taksim (Kanun, Tanbur, Santur et Oud) [1:23]
Improvisation
H. Güngör, M.S. Tokaç, D. Psonis, Y. Tockan
15. Der makām-ı [Hüseynī] uşūleş Çenber (Mss. D.Cantemir 96) [2:47]
Edirne’li Ahmed
Y. Tockan, K. Erguner, H. Güngör, D. Psonis,
D. Türkan, M.S. Tokaç, P. Estevan, F. Yarkın, J. Savall (vièle)
16. Taksim (Kemancha) & Makam «Esmkhetiet-Yis kou ghimeten-Tchim guichi» [7:18]
Barde Sayat Nova (Arménien)
G. Minassyan, G. Mouradian, H. Sarikouyoumdjian, P. Estevan
17. Taksim (Kanun, Tanbur et Oud) [1:31]
Improvisation
H. Güngör, M.S. Tokaç, Y. Tockan
18. Der makām-ı ‘Uzzâl uşūleş Berevsan (Mss. D.Cantemir 148) [3:20]
‘Ali Hˆäce (Ali Hoca)
Y. Tockan, H. Güngör, D. Psonis, D. Türkan,
M.S. Tokaç, P. Estevan, F. Yarkın, J. Savall (vièle)
19. Venturoso Mancevo (Isaac Levy II.58) [4:39]
Sépharade (Esmirna)
P. Hamon, D. El Maloumi, G. Mouradian,
H. Taboul, P. Estevan, J. Savall (lyre à archet)
20. Taksim (Kemence, Kanun, Oud et Tanbur) [2:50]
Improvisation
H. Güngör, D. Türkan, Y. Tockan, M.S. Tokaç
21. Der makām-ı Hüseynī Sakīl-i Ağa Riżā (Mss. D.Cantemir 89) [3:31]
Anonyme (ancient)
Y. Tockan, H. Güngör, D. Türkan, M.S. Tokaç,
P. Estevan, F. Yarkın, J. Savall (vièle)
Performers:
HESPÈRION XXI
Yair Dalal oud
Driss El Maloumi oud
Pierre Hamon ney et flûte
Dimitri Psonis santur
Pedro Estevan percussion
Jordi Savall rebab, vièle et lyre à archet
MUSICIENS INVITÉS
Kudsi Erguner ney
Derya Türkan Istanbul kemence
Yurdal Tokcan oud
Fahrettin Yarkın percussion
Murat Salim Tokaç tanbur
Hakan Güngör kanun
Gagiuk Mouradian kemancha
Georgi Minassyan duduk
Haïg Sarikouyoumdjian duduk et ney « Beloul »
Haroun Taboul tanbur à archet
As is typical with every project he undertakes, Jordi Savall's album Istanbul: Dimitrie Cantemir "The Book of the Science of Music" and the Sephardic and Armenian musical traditions is beautifully executed, with lively, idiosyncratic performances informed by scrupulous research and collaboration with performers who are masters in their field. Cantemir (1673-1723) was one of the most exceptional and multitalented men of his time. He was twice briefly the Prince of Moldavia; a scholar in the fields of linguistics, ethnography, historiography, religion, philosophy, literature, and music, whose intellectual achievements were recognized in Eastern and Western Europe and in the Ottoman Empire, an advisor to Peter the Great of Russia, and a composer and virtuoso performer. He devised a notation system for Ottoman music and left a vast collection of transcriptions of existing and original compositions in The Book of the Science of Music. The recording includes music from that collection as well as Sephardic and Armenian music, played by members of Savall's ensemble Hespèrion XXI and musicians from Armenia, Israel, Morocco, and Greece. The result is a fascinating and diverse sampling of the ways the musical traditions of cultures around the Mediterranean have complemented and influenced each other. The complex metrical patterns and the use of non-Western modes and instruments create a sound that may be exotic to most Western listeners, but the music is rhythmically energetic, often danceable, melodically accessible, and emotionally direct. The pieces vary widely in style, mood, and instrumentation, they are delicate, soulful, and sophisticated, and they are played with an infectious spontaneity. The sound of Alia Vox's SACD is transparent, vivid, and very present. The album should appeal to listeners with an interest in the music of the Near and Middle East and in the ways musical cultures intersect and interact.
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