Symphonieorchester des Bayerischen Rundfunks & Eugen Jochum - Bruckner: Masses Nos 1-3 (2016) [Hi-Res]
Artist: Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum
Title: Bruckner: Masses Nos 1-3
Year Of Release: 2016
Label: Deutsche Grammophon (DG)
Genre: Classical
Quality: FLAC (tracks, booklet) [96kHz/24bit]
Total Time: 02:28:19
Total Size: 2.73 GB
WebSite: Album Preview
Tracklist:Title: Bruckner: Masses Nos 1-3
Year Of Release: 2016
Label: Deutsche Grammophon (DG)
Genre: Classical
Quality: FLAC (tracks, booklet) [96kHz/24bit]
Total Time: 02:28:19
Total Size: 2.73 GB
WebSite: Album Preview
Mass No. 1 in D Minor WAB 26
01 1. Kyrie 07:43
02 2. Gloria 06:27
03 3. Credo 13:26
04 4. Sanctus 01:57
05 5. Benedictus 07:35
06 6. Agnus Dei 09:31
Mass No. 2 in E Minor WAB 27
07 1. Kyrie 09:01
08 2. Gloria 06:26
09 3. Credo 11:02
10 4. Sanctus 03:58
11 5. Benedictus 07:03
12 6. Agnus Dei 06:14
Mass No. 3 in F Minor WAB 28
13 1. Kyrie 09:17
14 2. Gloria 11:45
15 3. Credo 08:50
16 4. Credo (Cont.) 10:22
17 5. Sanctus 02:13
18 6. Benedictus 07:20
19 7. Agnus Dei 08:10
Performers:
Edith Mathis, soprano
Marga Schiml, alto/contralto
Wieslaw Ochman, tenor
Karl Ridderbusch, bass
Elmar Schloter, organ
Bavarian Radio Chorus & Symphony Orchestra
Maria Stader, soprano
Claudia Hellmann, alto/contralto
Ernst Hälfliger, tenor
Kim Borg, bass
Anton Nowakowski, organ
Bavarian Radio Chorus & Symphony Orchestra
Kurt Prestel, chorus master
Eugen Jochum, conductor
“Like Bruckner, Eugen Jochum came from a devout Catholic family and began his musical life as a church organist. He would have known the Mass texts more or less inside out, which explains why his readings focus not on the sung parts – which, for the most part, present the text in a relatively four-square fashion – but on the orchestral writing which, given the gloriously full-bodied playing of the Bavarian orchestra, so lusciously illuminates familiar words. He approaches the Masses with many of the same ideas he so eloquently propounds in his recordings of the symphonies and the music unfolds with a measured, almost relaxed pace which creates a sense of vast spaciousness. This can have its drawbacks: you can be so entranced by the beautifully moulded orchestral introduction to the Benedictus from the D minor Mass that the entry of a rather full-throated Marga Schiml comes as a rude interruption. DG's transfers are extraordinarily good – they really seem to have produced a sound which combines the warmth of the original LP with the clarity of detail we expect.” ~ Gramophone Classical Music Guide