Evgeny Mravinsky - Evgeny Mravinsky, Vol. 3 (2018)

  • 02 Jun, 21:15
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Artist:
Title: Evgeny Mravinsky, Vol. 3
Year Of Release: 2018
Label: Profil
Genre: Classical
Quality: FLAC (tracks+booklet)
Total Time: 06:46:36
Total Size: 1.66 GB
WebSite:

Tracklist:

1. The Sleeping Beauty, Op. 66, TH 13, Prologue "The Christening": No. 3g, Pas de six. La Fée des lilas
2. The Sleeping Beauty, Op. 66, TH 13, Prologue "The Christening": No. 2b, Scène dansante
3. The Sleeping Beauty, Op. 66, TH 13, Prologue "The Christening": No. 3a, Pas de six. Grand adage. Petit allegro
4. The Sleeping Beauty, Op. 66, TH 13, Prologue "The Christening": No. 4, Scène et final
5. The Sleeping Beauty, Op. 66, TH 13, Act I "The Spell": No. 6, Grande valse villageoise
6. The Sleeping Beauty, Op. 66, TH 13, Act I "The Spell": No. 8a, Grand pas d'action. Grand adage à la rose
7. The Sleeping Beauty, Op. 66, TH 13, Act II "The Vision": No. 17, Panorama
8. The Sleeping Beauty, Op. 66, TH 13, Act III "The Wedding": No. 23a, Pas de quatre. Entrée
9. The Sleeping Beauty, Op. 66, TH 13, Act III "The Wedding": No. 24, Pas de caractère. Le Chat botté et la Chatte blanche
10. The Sleeping Beauty, Op. 66, TH 13, Act III "The Wedding": No. 25c, Pas de quatre. Variation de l'Oiseau bleu la Princesse Florine
11. The Sleeping Beauty, Op. 66, TH 13, Act III "The Wedding": No. 28a, Grand pas de quatre. Aurore et Désiré
12. Orchestral Suite No. 2 in B Minor, BWV 1067: I. Ouverture
13. Orchestral Suite No. 2 in B Minor, BWV 1067: II. Rondeau
14. Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande
15. Orchestral Suite No. 2 in B Minor, BWV 1067: IV. Bourrées I & II
16. Orchestral Suite No. 2 in B Minor, BWV 1067: V. Polonaise & Double
17. Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Menuet
18. Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie
19. Euryanthe, J. 291: Overture
20. USSR State Symphony Orchestra - Der Freischütz, Op. 77, J. 277: Overture
21. Oberon, J. 306: Overture
22. Aufforderung zum Tanz, Op. 65, J. 260 (Arr. F. Weingartner for Orchestra)
23. Symphony No. 5 in E Minor, Op. 64, TH 29: I. Andante - Allegro con anima
24. Symphony No. 5 in E Minor, Op. 64, TH 29: II. Andante cantabile con alcuna licenza
25. Symphony No. 5 in E Minor, Op. 64, TH 29: III. Valse. Allegro moderato
26. Symphony No. 5 in E Minor, Op. 64, TH 29: IV. Finale. Andante maestoso - Allegro vivace
27. Tannhäuser, WWV 70: Overture
28. Götterdämmerung, WWV 86D: Siegfried's Funeral March
29. Die Walküre, WWV 86B: Ride of the Valkyries
30. Symphony No. 4 in F Minor, Op. 36, TH 27: I. Andante sostenuto - Moderato con anima
31. Symphony No. 4 in F Minor, Op. 36, TH 27: II. Andantino in modo di canzona
32. Symphony No. 4 in F Minor, Op. 36, TH 27: III. Scherzo. Pizzicato ostinato - Allegro
33. Symphony No. 4 in F Minor, Op. 36, TH 27: IV. Finale. Allegro con fuoco
34. Le poème de l'extase, Op. 54 "Symphony No. 4"
35. Symphony No. 2 in A Major: I. Moderato - Allegro non troppo
36. Symphony No. 2 in A Major: II. Andante cantabile
37. Symphony No. 2 in A Major: III. Allegro scherzando
38. Symphony No. 2 in A Major: IV. Andante cantabile - Allegro vivo
39. Symphony No. 8 in C Minor, WAB 108 (Ed. R. Haas from 1887 & 1890 Versions): I. Allegro moderato
40. Symphony No. 8 in C Minor, WAB 108 (Ed. R. Haas from 1887 & 1890 Versions): II. Scherzo. Allegro moderato - Langsam
41. Symphony No. 8 in C Minor, WAB 108 (Ed. R. Haas from 1887 & 1890 Versions): III. Adagio. Feierlich langsam, doch nicht schleppend
42. Symphony No. 8 in C Minor, WAB 108 (Ed. R. Haas from 1887 & 1890 Versions): IV. Finale. Feierlich, nicht schnell
43. Symphony No. 8 in C Minor, Op. 65: I. Adagio - Allegro non troppo
44. Symphony No. 8 in C Minor, Op. 65: II. Allegretto
45. Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo
46. Symphony No. 8 in C Minor, Op. 65: IV. Largo
47. Symphony No. 8 in C Minor, Op. 65: V. Allegretto

Mravinsky recorded in studios from 1938 to 1961. His interpretations of Tchaikovsky set standards that hold to this day and his Shostakovich performances enjoy the intimate authority of the connoisseur, but he was also altogether at home in the standard Classical and Romantic repertoires. That said, he was often able to emphasize nuances that other, “Western” conductors did not bring out. This series of recordings includes one of the three instrumental pieces from the operas of Richard Wagner (1813-1883) as well as an astonishingly urgent, brisk reading of Anton Bruckner’s Eighth Symphony. Listening to the grandiose Poème de l’Exstase by Alexander Skryabin (1872-1915) conducted by this precision fanatic, it is easy to imagine that one is hearing details and structures that other conductors may allow to be absorbed into the overall sound. The inner-Soviet renaissance of the Skryabin contemporary and late Romantic melodist Vasily Kalinnikov (1866-1901) received decisive impetus from Mravinsky – not least thanks to his energetic reading of the composer’s Second Symphony. Mravinsky was, in the words of music commentator Norman Lebrecht, "the most capable of all Soviet conductors".


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  • olga1001
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Profil always nice finding out and mastering.
Thanks