Eva-Maria Houben - Voice With Harp (2017)
Artist: Eva-Maria Houben
Title: Voice With Harp
Year Of Release: 2017
Label: Edition Wandelweiser Records
Genre: Contemporary Classical, Ambient
Quality: FLAC (tracks+booklet)
Total Time: 58:17 min
Total Size: 149 MB
WebSite: Album Preview
Tracklist:Title: Voice With Harp
Year Of Release: 2017
Label: Edition Wandelweiser Records
Genre: Contemporary Classical, Ambient
Quality: FLAC (tracks+booklet)
Total Time: 58:17 min
Total Size: 149 MB
WebSite: Album Preview
01. Aeolian Harp 14:42
02. Adagio 1 02:58
03. Adagio 2 03:24
04. Adagio 3 03:39
05. Hatid 08:20
06. Two Songs For Piano 1 05:47
07. Two Songs For Piano 2 03:26
08. Songs For The Island 1 03:13
09. Songs For The Island 2 02:52
10. Songs For The Island 3 02:59
11. Songs For The Island 4 03:56
12. Songs For The Island 5 02:21
Graceful, barely-there, and enchantingly serene, Voice with Harp was written by German composer, keyboardist, musicologist and educator Eva-Maria Houben, and is performed by Tatiana Kuzina (soprano), and Christine Kazarian (harp).
A patient exercise in time dilation, Voice With Harp unfolds in five movements starting with the longest single piece, a sublime 15 minute instrumental Aeolian Harp, which appears to be an attempt at recreating the classical instrument’s wind-played elemental unpredictability under controlled conditions. We’d re commend listening to this one with the window open for best effect.
The other works are relatively shorter, generally between 3 and 5 minutes in length, and feature Tatiana Kuzina reciting texts by Eva-Maria and Felix Timmermans; three works opening with a sparse harp notes followed by vocal in Adagio, then in longing duet on Hatid, and two also accompanied by piano, before culminating with the five-part Songs For The Island - a sorta sublime inversion of The Vengaboys We’re Going To Ibiza [1999].
A patient exercise in time dilation, Voice With Harp unfolds in five movements starting with the longest single piece, a sublime 15 minute instrumental Aeolian Harp, which appears to be an attempt at recreating the classical instrument’s wind-played elemental unpredictability under controlled conditions. We’d re commend listening to this one with the window open for best effect.
The other works are relatively shorter, generally between 3 and 5 minutes in length, and feature Tatiana Kuzina reciting texts by Eva-Maria and Felix Timmermans; three works opening with a sparse harp notes followed by vocal in Adagio, then in longing duet on Hatid, and two also accompanied by piano, before culminating with the five-part Songs For The Island - a sorta sublime inversion of The Vengaboys We’re Going To Ibiza [1999].