Joachim Carlos Martini - Handel: Alexander's Feast (2010)

  • 27 Aug, 05:13
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Artist:
Title: George Frideric Handel: Alexander's Feast
Year Of Release: 2010
Label: Naxos
Genre: Classical
Quality: FLAC (image + .cue, log, artwork)
Total Time: 01:19:29
Total Size: 419 MB
WebSite:

Tracklist:

01. Part 1: Overture
02. Recitative: 'Twas at the royal feast (Tenor)
03. Part I: Air: Happy, happy, happy pair (Tenor, Chorus)
04. Part I: Recitative: Timotheus, plac'd on high (Tenor)
05. Accompagnato: The song began from Jove (Soprano)
06. The list'ning Crowd (Chorus)
07. Air: With ravish'd ears (Soprano)
08. Recitative: The praise of Bacchus (Tenor)
09. Air and Chorus: Bacchus, ever fair and young (Bass and Chorus)
10. Recitative: Sooth'd with the sound (Tenor)
11. Accompagnato: He chose a mournful muse (Soprano)
12. Air: He sung Darius great and good (Soprano)
13. Accompagnato: With downcast looks (Soprano)
14. Behold Darius great and good (Chorus)
15. Recitative: The mighty master smil'd to see (Tenor)
16. Air: Softly sweet (Soprano)
17. Air: War, he sung, is toil and trouble (Soprano)
18. The many rend the skies (Chorus)
19. Air: The Prince, unable to conceal his pain (Soprano)
20. The many rend the skies (Chorus)

21. Part 2: Accompagnato and Chorus: Now strike the golden lyre (Tenor and Chorus)
22. Air: Revenge, revenge, Timotheus cries (Bass)
23. Accompagnato: Give the vengeance due (Tenor)
24. Air: The princes applaud with a furious joy (Tenor)
25. Air and Chorus: Thais led the way (Soprano and Chorus)
26. Accompagnato and Chorus: Thus, long ago (Tenor)
27. Recitative: Let old Timotheus yield the prize (Tenor and Bass)
28. Let old Timotheus yield the prize (Chorus)

Handel's Alexander's Feast is a long two-part ode set to an adapted John Dryden poem about the power of music. It barely fits on one CD, and then only with the omission of a short associated concerto. Yet it's shorter than a full-length oratorio, and the conjunction of Handel's music and Dryden's poetry is singularly attractive. The work ought to be at the top rank of Handel hits, but for the present it's perhaps a notch below that. There are plenty of recordings of the work by big English names, and it's questionable how much of a market there is for this slightly German-accented version from the Junge Kantorei and Frankfurt Baroque Orchestra under Joachim Carlos Martini. Yet actually the English diction from this all-German group is strong enough that an anglophone listener can mostly avoid consulting the online texts (which also include a German translation). And the Junge Kantorei, from central Germany (they are not specifically youthful), is a regional choir with church origins that delivers a clear, transcendent sound in the later sections of the works, which ascends toward calm rather than a slam-bang finale. The Naxos label has uncovered any number of these German choirs and shows no signs of exhausting the source. The soloists are not on a par with the athleticism of the leading Handelian singers, but soprano Gerlinde Sämann, has an affecting tone. The bottom line is that there are stronger recordings of Alexander's Feast out there, but this one has an X factor, connected with the musicians' direct response to what they are singing and playing, that makes it worth your time. -- James Manheim