Oscar and The Wolf - Infinity (2017)

When recording his last album, Max Colombie had to cry because his own improvised vocals moved him so much. This is one thing, and he is also on INFINITY with his elegant Electrosoul.

Radiotauglich plucked and smacked and snapped it in the background, while the voice moves heartbreaker between falsetto and car tune. It is about love in all its states of aggregation, but above all its flow, for that, Colombie's voice is made like.

Unlike Stromae, Belgium's greatest gift to pop since dEUS, Oscar and The Wolf are very well informed about what is going on elsewhere - in the charts especially - so. Downtempo and finger flips, flamenco and reggae, amorphous mourning song with a soul-like touch, lots of air and always an acoustic gimmick in the hind leg, if it's too sensitive.

And it will be fast and reliable. Go down well like heated butter, so good, however, that you will hear enough of it in the coming months on the radio. And everything is also a little calculating.