VA - Tone Science Module No. 2: Elements and Particles (2018)
Artist: VA
Title: Tone Science Module No. 2: Elements and Particles
Year Of Release: 2018
Label: DiN UK – DIN:TS 02
Genre: Dark Ambient
Quality: lossless (tracks)
Total Time: 01:00:00
Total Size: 287 mb
WebSite: Album Preview
TracklistTitle: Tone Science Module No. 2: Elements and Particles
Year Of Release: 2018
Label: DiN UK – DIN:TS 02
Genre: Dark Ambient
Quality: lossless (tracks)
Total Time: 01:00:00
Total Size: 287 mb
WebSite: Album Preview
1. Todd Barton – Floating World 08:40
2. Bluetech – Magnetic Lullaby 06:35
3. Parallel Worlds – Additive Procedure 05:55
4. Paul Nagle – Euneirophrenia 07:51
5. Dave Bessell – Overtone 06:36
6. Richard Quirk – Radar Hill 07:21
7. Hainbach – Your Strange Glitter 05:01
8. Nathan Moody – Prophet And Loss 05:01
9. R Beny – Marine Layer 07:00
This second compilation “Module No.2 Elements and Particles”, like its predecessor, features nine artists from different musical backgrounds with the common thread being that all the tracks were composed entirely with a modular synth system.
The album opens and closes with the ambient soundscapes of two tracks by Todd Barton and r beny. Barton is a world renowned exponent of Buchla modular systems as well as the Music Easel employed on this track. Austin Cairns (aka r beny) has a penchant for lo-fi looped synth atmospheres which combined, in this case, with a field recording creates a haunting, evocative piece. The next three pieces by Bluetech, Parallel Worlds and Paul Nagle build up rhythmic and sequenced elements with a fascinating amount of detail that modular systems are so good at. They also all use various methods to produce a poly-rhythmic, fractal feel as patterns shift and change throughout their tracks. The middle of the album then sees a fascinating experimental ambient interlude by Dave Bessell (a member of the synth group Node) using waveguide physical modelling in the analogue domain. The second half of the album has a rawer, more gritty feel with Richard Quirk building up a crescendo of wonderful textures in his track “Radar Hill”. This is followed by Hainbach using the exotic Ciat-Lonbarde series of hand built instruments to produce, in his words, a piece of “pure electronic music”. Nathan Moody then brings proceedings to a climax with a gnarly, muscular track using a Buchla modular system before the blissful ending piece “Marine Layer” closes out the 60 minute sonic journey the listener has just travelled.
Boddy has curated both the artists and tracks on this album to flow in a musical way and not just be a collection of equipment heavy demos. Though fascinating and always cool to look at, it is important not to get lost in the gear for gear’s sake syndrome. Having said that this album features Eurorack, Serge, Buchla & Ciat-Lonbarde modular systems and the nine tracks show how varied and flexible these instruments can be.
“Tone Science Module No.2 Elements and Particles” continues the journey down the rabbit hole of possibilities and sound worlds inhabited by artists and musicians working in this ever fascinating and varied musical field.