Trio Goya - Beethoven: Piano Trios Nos. 1-3 (2018) [Hi-Res]

Artist: Trio Goya
Title: Beethoven: Piano Trios Nos. 1-3
Year Of Release: 2018
Label: Chandos
Genre: Classical
Quality: flac 24bits - 96.0kHz +booklet
Total Time: 01:36:07
Total Size: 1.5 gb
WebSite: Album Preview
TracklistTitle: Beethoven: Piano Trios Nos. 1-3
Year Of Release: 2018
Label: Chandos
Genre: Classical
Quality: flac 24bits - 96.0kHz +booklet
Total Time: 01:36:07
Total Size: 1.5 gb
WebSite: Album Preview
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CD1
01. Piano Trio No. 1 in E-Flat Major, Op. 1 No. 1: I. Allegro
02. Piano Trio No. 1 in E-Flat Major, Op. 1 No. 1: II. Adagio cantabile
03. Piano Trio No. 1 in E-Flat Major, Op. 1 No. 1: III. Scherzo. Allegro assai
04. Piano Trio No. 1 in E-Flat Major, Op. 1 No. 1: IV. Finale. Presto
05. Piano Trio No. 2 in G Major, Op. 1 No. 2: I. Adagio-Allegro vivace
06. Piano Trio No. 2 in G Major, Op. 1 No. 2: II. Largo con espressione
07. Piano Trio No. 2 in G Major, Op. 1 No. 2: III. Scherzo. Allegro
08. Piano Trio No. 2 in G Major, Op. 1 No. 2: IV. Finale. Presto
CD2
01. Piano Trio No. 3 in C Minor, Op. 1 No. 3: I. Allegro con brio
02. Piano Trio No. 3 in C Minor, Op. 1 No. 3: II. Andante cantabile con variazioni
03. Piano Trio No. 3 in C Minor, Op. 1 No. 3: III. Menuetto. Quasi allegro
04. Piano Trio No. 3 in C Minor, Op. 1 No. 3: IV. Finale. Prestissimo
In this new Chaconne release, Trio Goya offers unique accounts of Beethoven’s early piano trios, revealing on period instruments and in the magical acoustic of the Britten-Pears Auditorium at Aldeburgh’s Snape Maltings the extraordinary range of colours and narratives that these pieces suggest. Beethoven’s Opus 1 features amongst Trio Goya’s central repertoire, played regularly in the UK’s most prestigious venues and beyond. After a recent Wigmore Hall concert, Early Music Today wrote that ‘Trio Goya sent us home spinning on the delights and laughter of early Beethoven. His piano trio opus 1 No. 1 frothed and bubbled down the finale's theme, the musicians swept along by their own hell for- leather, immaculately kept tempo.’ These pieces mark a kind of beginning in Beethoven’s career. They were indeed planned and executed, over a period of two years, with unprecedented care and skill; they mark the start of a new creative period for the young genius, which is distinct from the younger Bonn years and is fully deserving of the label ‘first maturity’ conferred by the musicologist Lewis Lockwood.