Alice Coote, Netherlands Philharmonic Orchestra & Marc Albrecht - Mahler: Song Cycles (2017) [SACD]
Artist: Alice Coote, Netherlands Philharmonic Orchestra, Marc Albrecht
Title: Mahler: Song Cycles
Year Of Release: 2017
Label: Pentatone
Genre: Classical
Quality: DST64 image (*.iso) 2.0 / 5.0
Total Time: 01:01:07
Total Size: 2.72 GB
WebSite: Album Preview
Tracklist:Title: Mahler: Song Cycles
Year Of Release: 2017
Label: Pentatone
Genre: Classical
Quality: DST64 image (*.iso) 2.0 / 5.0
Total Time: 01:01:07
Total Size: 2.72 GB
WebSite: Album Preview
Mahler, Gustav (1860-1911)
Lieder eines fahrenden Gesellen
01. No. 1, Wenn mein Schatz Hochzeit macht 4:00
02. No. 2, Ging heut' morgen ubers Feld 4:17
03. No. 3, Ich hab' ein gluhend Messer 3:17
04. No. 4, Die zwei blauen Augen von meinem Schatz 5:35
Ruckert-Lieder
05. No. 1, Ich atmet' einen linden Duft 2:39
06. No. 3, Blicke mir nicht in die Lieder 1:28
07. No. 2, Liebst du um Schonheit 2:09
08. No. 5, Um Mitternacht 6:04
09. No. 4, Ich bin der Welt abhanden gekommen 6:43
Kindertotenlieder
10. No. 1, Nun will die Sonn' so hell aufgeh'n 5:37
11. No. 2, Nun seh' ich wohl 4:47
12. No. 3, Wenn dein Mutterlein 4:46
13. No. 4, Oft denk' ich, sie sind nur ausgegangen 3:06
14. No. 5, In diesem Wetter 6:55
Performers:
Alice Coote (mezzo-soprano)
Netherlands Philharmonic Orchestra
Marc Albrecht
There are plenty of recordings of these three Mahler song cycles, but this one by mezzo-soprano Alice Coote stands out from the crowd. It may seem extreme, but it might equally be regarded as simply having the kind of direct emotional commitment that classical performances used to have before the genre got too decorous. A symphonic counterpart might be Leonard Bernstein's Mahler recordings, and one guesses that Mahler would have loved both. Coote is really powerful in the Kindertotenlieder, the Songs of Dead Children, and she's one of the few singers who really enter into the texts of Ruckert. She can blaze in the higher ranges and take it down to an extremely uncanny echolike effect in the midrange: sample "Ging heut' morgen uber's Feld," the piece that furnished the thematic material for the first movement of the Symphony No. 4 in G major, starting about three and a half minutes in, when Coote seems to fade into the background. Conductor Marc Albrecht keeps the Netherlands Philharmonic Orchestra largely out of Coote's way, although all the details are there, and are captured by Pentatone's precise engineering. A fine set of Mahler song cycles. -- James Manheim