London Symphony Orchestra, Sir John Eliot Gardiner & Maria Joao Pires - Mendelssohn: Symphony No. 3 "Scottish", The Hebrides Overture - Schumann: Piano Concerto (2014) [Hi-Res]
Artist: London Symphony Orchestra, John Eliot Gardiner, Maria Joao Pires
Title: Mendelssohn: Symphony No. 3 "Scottish", The Hebrides Overture - Schumann: Piano Concerto
Year Of Release: 2014
Label: LSO Live
Genre: Classical
Quality: FLAC (tracks, booklet) [96kHz/24bit]
Total Time: 1:19:17
Total Size: 1.63 GB
WebSite: Album Preview
Tracklist:Title: Mendelssohn: Symphony No. 3 "Scottish", The Hebrides Overture - Schumann: Piano Concerto
Year Of Release: 2014
Label: LSO Live
Genre: Classical
Quality: FLAC (tracks, booklet) [96kHz/24bit]
Total Time: 1:19:17
Total Size: 1.63 GB
WebSite: Album Preview
Felix Mendelssohn (1809-1847)
01. The Hebrides (10:02)
Robert Schumann (1810-1856)
Piano Concerto in A minor
02. 1. Allegro affettuoso (15:20)
03. 2. Intermezzo. Andantino grazioso (5:04)
04. 3. Allegro vivace (11:04)
Felix Mendelssohn
Symphony No 3 in A minor
05. 1. Andante con moto-Allegro un poco agitato (15:02)
06. 2. Vivace non troppo (4:11)
07. 3. Adagio (8:56)
08. 4. Allegro vivacissimo-Allegro maestoso assai (9:39)
Performers:
London Symphony Orchestra
Maria Joao Pires, piano (#2-4)
Sir John Eliot Gardiner, conductor
Inspired by his travels to the British Isles and full of the influence of the rolling Scottish landscape, both Mendelssohn’s Symphony No 3 ‘Scottish’ and his overture The Hebrides (‘Fingal’s Cave’) are amongst the composer’s most popular and admired works. The London Symphony Orchestra present us with inspiring performances of these works, as well as a performance of Schumann’s Piano Concerto, featuring the celebrated pianist, Maria Joao Pires.
Sir John Eliot Gardiner writes of this coupling; ‘Even if they spoke with different accents these genial Romantics were united in their ambitious fervour for ‘abstract’ music to be acknowledged as having the same expressive force as poetry, drama or the literary novel. The three works on this album exemplify the endeavour and range of invention of two of them, friends and colleagues in Leipzig’.
Sir John Eliot Gardiner writes of this coupling; ‘Even if they spoke with different accents these genial Romantics were united in their ambitious fervour for ‘abstract’ music to be acknowledged as having the same expressive force as poetry, drama or the literary novel. The three works on this album exemplify the endeavour and range of invention of two of them, friends and colleagues in Leipzig’.