Hank Jones & Tyree Glenn - Quintet + Sextet: Complete Recordings (2004)

12 Nov, 12:34
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Artist: Hank Jones & Tyree Glenn
Title: Quintet + Sextet: Complete Recordings
Year Of Release: 2004
Label: Lone Hill Jazz
Genre: Jazz
Quality: FLAC (tracks+.cue, log, Artwork)
Total Time: 01:53:42
Total Size: 453 MB
WebSite: Album Preview

Tracklist:

Disc 1 (58:29)

1. Sinbad The Sailor (03:57)
2. What Can I Tell My Heart (04:06)
3. Lonely Moment (03:59)
4. After The Rain (02:54)
5. Tyree's Tune (03:23)
6. Until The Real Thing Comes Along (02:51)
7. Without A Song (06:36)
8. I Thought About You (03:21)
9. How High The Moon (03:11)
10. I Wanna Be Loved (02:27)
11. Too Marvelous For Words (03:52)
12. Teach Me Tonight (02:27)
13. Sunday (03:25)
14. Just A Wearyin' For You (02:12)
15. There Will Never Be Another You (03:38)
16. All Of Me (02:36)
17. Royal Garden Blues (03:34)

Disc 2 (55:13)

1. Wonder Why (02:33)
2. Dear Old Southland (02:25)
3. Them There Eyes (02:26)
4. Sweet And Lovely (02:59)
5. Marcheta (03:47)
6. Limehouse Blues (03:24)
7. By And By When Morning Comes (02:37)
8. On The Alamo (02:47)
9. Lonesome Road (02:58)
10. Stomping At The Savoy (04:32)
11. Some Other Spring (03:06)
12. Waycross Walk (03:18)
13. Mack The Knife (03:12)
14. 'Til There Was You (02:43)
15. Avalon (03:07)
16. Learn To Croon (02:14)
17. Blue You (04:09)
18. Indiana (02:56)

Although pianist Hank Jones gets first billing on this two-disc set from Lone Hill Jazz, it actually contains three complete Tyree Glenn-led sessions that were originally released on LP by Roulette Records as At the Embers, At the Roundtable and At the London House in 1957, 1958 and 1961. Featuring Glenn on trombone and vibraphone running through swing and bop standards backed by a world-class rhythm section of Jones, Milt Hinton and Jo Jones, Quintet/Sextet Complete Recordings makes a fine introduction to an often over-looked and completely professional jazz player. Among the highlights are Glenn's own "After the Rain" (not to be confused with the later John Coltrane composition by the same title), a jaunty "I Wanna Be Loved," and a shimmering vibraphone turn at "Limehouse Blues."

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