Donald Lambert - Recorded 1959-1961 (2003)

  • 20 Nov, 08:07
  • change text size:

Artist:
Title: Recorded 1959-1961
Year Of Release: 2003
Label: Storyville
Genre: Piano Jazz
Quality: FLAC (tracks+.cue, log, Scans)
Total Time: 01:09:01
Total Size: 399 MB
WebSite:

Tracklist:

01. Anitra's Dance (2:35)
02. Tea for Two (3:49)
03. Liza (2:30)
04. I've Got a Feeling - Don't Let It Bother You (2:34)
05. Harlem Strut (2:26)
06. Beautiful Love - Sweet Lorraine (3:02)
07. People Will Say We're in Love (2:54)
08. Hold Your Temper (2:24)
09. Moonlight Sonata (4:06)
10. Save Your Sorrow (1:16)
11. I Know That You Know (3:08)
12. As Time Goes By (2:50)
13. Sextet from Lucia di Lammermoor (2:25)
14. Hallelujah (5:28)
15. The Trolley Song (2:05)
16. Daintiness Rag (2:16)
17. When Your Love Has Gone (2:44)
18. Keep Off the Grass (3:15)
19. Carolina Shout (2:34)
20. I'm Just Wild About Harry (2:37)
21. You Can't Do What My Last Man Did (2:47)
22. If Dreams Come True (3:16)
23. How Can You Face Me (2:47)
24. Russian Lullaby (3:16)

Although it does not say it anywhere in the reprinted liner notes by the late Dick Wellstood or the outside of the CD, all of the music on Recorded 1959-1961 was previously released by the now-defunct Pumpkin label. The 14 selections from Pumpkin's LP Classics in Stride are here plus ten of the 15 from Harlem Stride Classics. Donald Lambert was one of the all-time great stride pianists, but living in New Jersey and reluctant to visit New York, he only made one record date, just four titles in 1940. Fortunately some of his live performances from the 1959-1961 period were recorded by fans, including the music on the two Pumpkin LPs and a collection put out by IAJRC. The piano may not be flawless and the recording is not of studio quality (though it has been greatly improved in this reissue), but Lambert's musical mastery definitely comes through well. One is grateful for the existence of his fans, who were wise enough to document the pianist. Lambert swings some classical pieces (including "Anitra's Dance" and Beethoven's "Moonlight Sonata"), digs into swing standards, and revives numbers by James P. Johnson, Willie "The Lion" Smith, and Fats Waller, stomping away. Waller and to a lesser extent Art Tatum are influences, but Lambert mostly plays in his own dazzling fashion. It seems criminal that he was not extensively recorded, but at least there are these priceless performances and a few others to remind jazz listeners what a great talent there once was in Lambert.