The Don Rendell / Ian Carr Quintet - Dusk Fire (1966/2018) [Hi-Res]
Artist: The Don Rendell / Ian Carr Quintet
Title: Dusk Fire
Year Of Release: 2018
Label: Decca (UMO)
Genre: Jazz
Quality: 24bit-96kHz FLAC (tracks)
Total Time: 48:35
Total Size: 0.98 GB
WebSite: Album Preview
Tracklist:Title: Dusk Fire
Year Of Release: 2018
Label: Decca (UMO)
Genre: Jazz
Quality: 24bit-96kHz FLAC (tracks)
Total Time: 48:35
Total Size: 0.98 GB
WebSite: Album Preview
1. Ruth 06:18
2. Tan Samfu 05:50
3. Jubal 07:13
4. Spooks 05:19
5. Prayer 05:47
6. Hot Rod 05:33
7. Dusk Fire 12:15
A grey-area reissue of this legendary album: the magnificent Dusk Fire album recorded in 1966. Rightly considered a masterpiece of British Jazz, cool and quirky finishing on a high with Michael Garrick's powerful composition Dusk Fire. Rendell/ Carr Quintet shows how far British jazz in the second half of the ’60s had taken new directions. Not a jazz songbook standard in sight, moving away from the usual jazz conventions, heads and solos, rhythm section down in the engine room, improvised virtuosity of the soloists. The writing is more structured, a pictorial composition, storytelling, replete with literary allusions.
British jazz in the ’50s and ’60s never really became mainstream, eclipsed by transatlantic “popular music singers” and groups of young men strumming electric guitars. Even at jazz’s height, original American jazz ruled the charts, not British jazz. Even the local product fissured between reproduced Dixieland clarinet and striped waistcoat “Trad’ Jazz” and the Modernist. Older jazz fans clung on to their Charlie Parker collections, their big band swing albums, some perhaps a few even their Blue Notes. British modern jazz record titles sold in just a few thousands, hence their premium today at auction. British jazz musicians main source of income was not from record sales, or club performance, but laying down background music for film and TV – that was over 50% of Lansdowne Studios main business. However we have reason to be grateful that Denis Preston and others struggled against the tide of popular music to bring us good music, that was not especially popular.
Don Rendell, tenor saxophone, soprano saxophone, flute, clarinet
Ian Carr, trumpet, flugelhorn
Michael Garrick, piano
Dave Green, bass
Trevor Tomkins, drums
Engineered by Adrian Kerridge
Digitally remastered
British jazz in the ’50s and ’60s never really became mainstream, eclipsed by transatlantic “popular music singers” and groups of young men strumming electric guitars. Even at jazz’s height, original American jazz ruled the charts, not British jazz. Even the local product fissured between reproduced Dixieland clarinet and striped waistcoat “Trad’ Jazz” and the Modernist. Older jazz fans clung on to their Charlie Parker collections, their big band swing albums, some perhaps a few even their Blue Notes. British modern jazz record titles sold in just a few thousands, hence their premium today at auction. British jazz musicians main source of income was not from record sales, or club performance, but laying down background music for film and TV – that was over 50% of Lansdowne Studios main business. However we have reason to be grateful that Denis Preston and others struggled against the tide of popular music to bring us good music, that was not especially popular.
Don Rendell, tenor saxophone, soprano saxophone, flute, clarinet
Ian Carr, trumpet, flugelhorn
Michael Garrick, piano
Dave Green, bass
Trevor Tomkins, drums
Engineered by Adrian Kerridge
Digitally remastered
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The_Don_Rendell_-_Dusk_Fire.rar - 1009.4 MB
The_Don_Rendell_-_Dusk_Fire.rar - 1009.4 MB