May Blitz - May Blitz & The 2nd Of May (Reissue) (1970-72/1992)
Artist: May Blitz
Title: May Blitz & The 2nd Of May
Year Of Release: 1970-72/1992
Label: BGO Records
Genre: Psychedelic Rock, Heavy Prog Rock
Quality: Flac (image, .cue, log)
Total Time: 01:17:52
Total Size: 464 Mb (scans)
WebSite: Album Preview
Title: May Blitz & The 2nd Of May
Year Of Release: 1970-72/1992
Label: BGO Records
Genre: Psychedelic Rock, Heavy Prog Rock
Quality: Flac (image, .cue, log)
Total Time: 01:17:52
Total Size: 464 Mb (scans)
WebSite: Album Preview
Tracklist:
01. Smoking the Day Away
02. I Don't Know
03. Dreaming
04. Squeet
05. Tomorrow May Come
06. Fire Queen
07. Virgin Waters
08. For Mad Men Only
09. Snakes and Ladders
10. The 25th of December 1969
11. "In Part"
12. 8 Mad Grim Nits
13. High Beech
14. Honey Coloured Time
15. Just Thinking
MAY BLITZ were formed by vocalist/guitarist Jamie Black who recruited Tony Newman on drums, (ex Sounds Incorporated and Jeff Beck Group), and Reid Hudson (bass, vocals) in 1969. The original lineup featured bassist Terry Poole and drummer Keith Baker, from Bakerloo, but both left before recording anything for the band. Baker had a better offer from Uriah Heep, and went to record "Salisbury" with the band.
The band survived long enough to record two incredibly heavy, powerful and psychedelic albums with strong blues undertones and progressive tendencies, despite the lack of keyboards. These were released on Vertigo, who we also associate with Black Sabbath and Uriah Heep - but the music is probably heavier than either. Their style comes in somewhere around High Tide and the Pink Fairies - but these are really ballparks.
Their debut album is a must-hear for anyone curious about the development of heavy music, and features a production in which it is not only almost possible to smell the ganja smoke, but is also rich and clear enough to provide the striking dynamic contrasts the music needs, as it occasionally veers from ambience to crushing riffs in the blink of an eye. It is certainly very unpredictable, even now.
The band survived long enough to record two incredibly heavy, powerful and psychedelic albums with strong blues undertones and progressive tendencies, despite the lack of keyboards. These were released on Vertigo, who we also associate with Black Sabbath and Uriah Heep - but the music is probably heavier than either. Their style comes in somewhere around High Tide and the Pink Fairies - but these are really ballparks.
Their debut album is a must-hear for anyone curious about the development of heavy music, and features a production in which it is not only almost possible to smell the ganja smoke, but is also rich and clear enough to provide the striking dynamic contrasts the music needs, as it occasionally veers from ambience to crushing riffs in the blink of an eye. It is certainly very unpredictable, even now.