Patrizia Ciofi, Joyce Di Donato, Il Complesso Barocco, Alan Curtis - Handel: Amor e gelosia - Operatic duets (2005)
Artist: Patrizia Ciofi, Joyce Di Donato, Il Complesso Barocco, Alan Curtis
Title: Handel: Amor e gelosia - Operatic duets
Year Of Release: 2005
Label: Virgin Classics
Genre: Classical, Vocal
Quality: FLAC (image+.cue,log,scans)
Total Time: 01:13:26
Total Size: 399 Mb
WebSite: Album Preview
Tracklist: Title: Handel: Amor e gelosia - Operatic duets
Year Of Release: 2005
Label: Virgin Classics
Genre: Classical, Vocal
Quality: FLAC (image+.cue,log,scans)
Total Time: 01:13:26
Total Size: 399 Mb
WebSite: Album Preview
01. Poro 1731 "Caro Amico Amplesso!" 2:06
02. Rinaldo 1711 "Scherzando Sul Tuo Volto" 3:43
03. Rodelinda 1725 "Non Ti Basto....Io T'Abbraccio" 7:21
04. Silla 1713 "Sol Per Te, Bell'Idol Mio 5:58
05. Sorsarme 1732 "Per Le Porte Del Tormento" 7:45
06. Faramondo 1737 "Varo, Tu M'Accendi" 6:49
07. Atalanta 1736 "Amarilli? Oh Dei! Che Vuoi?" 6:14
08. Muzio Scevola 1721 "VivoSenz'Alma, O Bella" 2:35
09. Orlando 1733 "Finchè Prendi" 2:01
10. Poro " Perfidi! Ite Di Poro" 2:48
11. Poro "Se Mai Turbo Il Tuo Riposo" 5:42
12. Poro Sinfonia To Act 3 0:58
13. Serse 1738 "Gran Pena È Gelosia" 1:49
14. Poro "Lode Agli Dei" 6:20
15. Admeto 1727 "Alma Mia, Dolce Ristoro" 4:25
16. Flavio 1723 "Ricordati, Mio Ben" 4:01
17. Teseo 1713 "Addi, Mio Caro Bene" 2:50
Performers:
Patrizia Ciofi, soprano
Joyce Di Donato, mezzo-soprano
Il Complesso Barocco
(on period instruments)
Alan Curtis (harpsichord & direction)
Handel always had a wonderful feeling for the human voice, and more than doubly wonderful when it comes to two of them. The duets in his operas are the special treats, coming at climactic points – most often, two lovers’ supposedly final parting, or their ultimate reunion. The dissonances that so poignantly convey the lovers’ grief, the echoes with subtle inflections in sense, the way one voice floats free while the other remains captive, the mellifluous thirds and sixths – all these, and much more, make for some of the most emotional music, some searingly so, some balm-laden, that Handel (or anyone else) ever wrote.
Try ‘Io t’abbraccio’, from Rodelinda, or ‘Per la porte del tormento’ from Sosarme, which is certainly one of my desert-island pieces. We have several pieces from Poro, first the intense little love duet in Act 2, and later the two arias in which Poro and Cleofide swear eternal fidelity – which they fling back at each other when, in a duet we also hear, both believe themselves betrayed. Then there is the delightful little minor-key duet from Faramondo (quite a rarity among Handel’s operas), the quarrel duet from Atalanta, the charmingly playful piece from Muzio Scevola (even more of a rarity), and the extraordinary one for the pleading Angelica and the furious, maddened Orlando. Handel’s understanding of the shades and the accents of love are something to marvel at.
All are most beautifully sung by Patrizia Ciofi and Joyce DiDonato, who has just the right firmness and focus for a castrato role (as the mezzo voices almost always are here); both phrase beautifully, and articulate and express the words so clearly and so tellingly. They ornament the da capo sections in a natural and tasteful fashion. The accompaniments, done by a chamber group under Alan Curtis with much refined timing of detail, add to the pleasures of this truly delectable CD. Indeed, listening to it is a bit like eating a meal of delicious puddings.
Try ‘Io t’abbraccio’, from Rodelinda, or ‘Per la porte del tormento’ from Sosarme, which is certainly one of my desert-island pieces. We have several pieces from Poro, first the intense little love duet in Act 2, and later the two arias in which Poro and Cleofide swear eternal fidelity – which they fling back at each other when, in a duet we also hear, both believe themselves betrayed. Then there is the delightful little minor-key duet from Faramondo (quite a rarity among Handel’s operas), the quarrel duet from Atalanta, the charmingly playful piece from Muzio Scevola (even more of a rarity), and the extraordinary one for the pleading Angelica and the furious, maddened Orlando. Handel’s understanding of the shades and the accents of love are something to marvel at.
All are most beautifully sung by Patrizia Ciofi and Joyce DiDonato, who has just the right firmness and focus for a castrato role (as the mezzo voices almost always are here); both phrase beautifully, and articulate and express the words so clearly and so tellingly. They ornament the da capo sections in a natural and tasteful fashion. The accompaniments, done by a chamber group under Alan Curtis with much refined timing of detail, add to the pleasures of this truly delectable CD. Indeed, listening to it is a bit like eating a meal of delicious puddings.
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Handel Operatic duets Patrizia Ciofi Joyce Di Donato 04 2912.rar (399.5 MB)
Handel Operatic duets Patrizia Ciofi Joyce Di Donato 04 2912.rar (399.5 MB)