Paul Watkins & Huw Watkins - American Works for Cello & Piano (2015) [Hi-Res]

  • 14 Jan, 18:16
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Artist:
Title: American Works for Cello & Piano
Year Of Release: 2019
Label: Chandos
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz +booklet
Total Time: 01:08:52
Total Size: 260 mb / 1.1 gb
WebSite:

Tracklist
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01. Cello Sonata, Op. 6: I. Allegro ma non troppo
02. Cello Sonata, Op. 6: II. Adagio
03. Cello Sonata, Op. 6: III. Allegro appassionato
04. 3 Meditations from Mass (Version for Cello & Piano): No. 1, Lento assai, molto sostenuto
05. 3 Meditations from Mass (Version for Cello & Piano): No. 2, Andante sostenuto
06. 3 Meditations from Mass (Version for Cello & Piano): No. 3, Presto
07. Cello Sonata: I. Moderato
08. Cello Sonata: II. Vivace, molto leggiero
09. Cello Sonata: III. Adagio
10. Cello Sonata: IV. Allegro
11. Sonata for Solo Cello: I. Fantasia
12. Sonata for Solo Cello: II. Tema pastorale con variazioni
13. Sonata for Solo Cello: III. Toccata
14. Billy the Kid (Version for Cello & Piano): Waltz
15. Billy the Kid (Version for Cello & Piano): Celebration

Having explored much of twentieth-century British works for cello and piano, the Watkins brothers now turn their attention to the American contribution to this repertoire.

The music spans a fascinating period of some four decades of intensive compositional activity in the United-States. The earliest piece in the collection, Barber’s Cello Sonata (1932), was for many years considered as the only modern work in the genre. It is imbued with an intensely romantic spirit utterly different from the folk-tinged nationalism of contemporaneous music by Copland, represented here by arrangements of two numbers from his popular cowboy ballet Billy the Kid.

Carter’s highly original and technically demanding Cello Sonata and Crumb’s idiosyncratic Sonata for Solo Cello are worlds apart from the traditional vein of Barber piece. The works marked watershed moments in the stylistic development of two of the most imaginative and distinctive creative voices of their time.

Lastly, the ‘Meditations’ offer a contrast between searing melancholy and moments of jazzy dynamism, typical of Bernstein’s stylistic eclecticism.




  • platico
  •  21:23
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gracias...
  • jojo5
  •  08:16
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Thank you so much!!!!