Sarah Vaughan - Sarah Vaughan Sings Broadway: Great Songs From Hit Shows (1995/2019)
Artist: Sarah Vaughan
Title: Sarah Vaughan Sings Broadway: Great Songs From Hit Shows
Year Of Release: 1995/2019
Label: Verve Label
Genre: Vocal Jazz
Quality: 320 kbps | FLAC (tracks)
Total Time: 01:41:41
Total Size: 248 mb | 485 mb
WebSite: Album Preview
Tracklist:Title: Sarah Vaughan Sings Broadway: Great Songs From Hit Shows
Year Of Release: 1995/2019
Label: Verve Label
Genre: Vocal Jazz
Quality: 320 kbps | FLAC (tracks)
Total Time: 01:41:41
Total Size: 248 mb | 485 mb
WebSite: Album Preview
CD1
01. Sarah Vaughan - A Tree In The Park
02. Sarah Vaughan - Little Girl Blue
03. Sarah Vaughan - Comes Love (feat. Harold Mooney And His Orchestra)
04. Sarah Vaughan - But Not For Me (feat. Harold Mooney And His Orchestra)
05. Sarah Vaughan - My Darling, My Darling (feat. Harold Mooney And His Orchestra)
06. Sarah Vaughan - Lucky In Love (feat. Harold Mooney And His Orchestra)
07. Sarah Vaughan - Autumn In New York (feat. Harold Mooney Orchestra)
08. Sarah Vaughan - It Never Entered My Mind
09. Sarah Vaughan - If This Isn't Love (feat. Harold Mooney And His Orchestra)
10. Sarah Vaughan - The Touch Of Your Hand (feat. Harold Mooney And His Orchestra)
11. Sarah Vaughan - Homework (feat. Harold Mooney And His Orchestra)
12. Sarah Vaughan - Bewitched
13. Sarah Vaughan - Dancing In The Dark (feat. Harold Mooney Orchestra)
14. Sarah Vaughan - September Song (feat. Harold Mooney And His Orchestra)
15. Sarah Vaughan - A Ship Without A Sail
16. Sarah Vaughan - Lost In The Stars (feat. Harold Mooney And His Orchestra)
17. Sarah Vaughan - It's Got To Be Love
18. Sarah Vaughan - All The Things You Are (feat. Harold Mooney And His Orchestra)
CD2
01. Sarah Vaughan - Poor Butterfly (feat. Harold Mooney And His Orchestra)
02. Sarah Vaughan - Let's Take An Old-Fashioned Walk (feat. Harold Mooney And His Orchestra)
03. Sarah Vaughan - My Heart Stood Still
04. Sarah Vaughan - He's Only Wonderful (feat. Harold Mooney And His Orchestra)
05. Sarah Vaughan - They Say It's Wonderful (feat. Harold Mooney Orchestra)
06. Sarah Vaughan - My Ship (feat. Harold Mooney And His Orchestra)
07. Sarah Vaughan - You're My Everything (feat. Harold Mooney And His Orchestra)
08. Sarah Vaughan - Can't We Be Friends? (feat. Harold Mooney And His Orchestra)
09. Sarah Vaughan - Love Is A Random Thing
10. Sarah Vaughan - If I Loved You
11. Sarah Vaughan - It's De Lovely
12. Sarah Vaughan - It's Love
13. Sarah Vaughan - And This Is My Beloved
14. Sarah Vaughan - Mr. Wonderful
15. Sarah Vaughan - Don't Look At Me That Way
16. Sarah Vaughan - I Loved Him (But He Didn't Love Me)
Sarah Vaughan Sings Broadway: Great Songs From Hit Shows gathers together on two CDs the great Autumn 1956 session that seemed to crystalize all of Sarah Vaughan's technical and stylistic resources, propelling the legendary Miss Sassy into the mainstream spotlight her talent so richly deserved. Sarah Vaughan was simply one of the greatest voices of the Twentieth Century, with an astonishing range that ranged from girlish soprano to a lush, surreal baritone (and in some odd quirk of nature, her range grew wider and deeper as she entered her autumnal years).
The formula for Miss Sassy's growing acceptance among the mainstream pop audience was simple and common enough. It wed Vaughan's dark, sultry voice to lush romantic string orchestra arrangements (mainly by Hal Mooney), and the odd taste of brass. In lesser hands, such an approach might have dated rather badly, but listen to the way Sarah Vaughan comes out of the verse on "Bewitched," the manner in which she extends and elasticizes the phrase "I-I-I-I'm wild again..." with her uniquely expressive vibrato, and bask in the presence of a master of jazz harmony and rhythm.
Such little details abound on SINGS BROADWAY. On an epic "Dancing In The Dark," Vaughan hits the word "dancing" with a braod vibrato that seems to key the arrangement's sense of swing, building to an operatic crescendo. On a wonderful "September Song" her subtleties of pitch convey the season's changing colors: and during a turnaround which hinges on a descending "and...,' she demonstrates remarkable harmonic grace, suggesting the twisting, wistful dance of a falling leaf with vocal leaps like the bowed double stops of a cello.
The formula for Miss Sassy's growing acceptance among the mainstream pop audience was simple and common enough. It wed Vaughan's dark, sultry voice to lush romantic string orchestra arrangements (mainly by Hal Mooney), and the odd taste of brass. In lesser hands, such an approach might have dated rather badly, but listen to the way Sarah Vaughan comes out of the verse on "Bewitched," the manner in which she extends and elasticizes the phrase "I-I-I-I'm wild again..." with her uniquely expressive vibrato, and bask in the presence of a master of jazz harmony and rhythm.
Such little details abound on SINGS BROADWAY. On an epic "Dancing In The Dark," Vaughan hits the word "dancing" with a braod vibrato that seems to key the arrangement's sense of swing, building to an operatic crescendo. On a wonderful "September Song" her subtleties of pitch convey the season's changing colors: and during a turnaround which hinges on a descending "and...,' she demonstrates remarkable harmonic grace, suggesting the twisting, wistful dance of a falling leaf with vocal leaps like the bowed double stops of a cello.