Martha Argerich, Gidon Kremer, Mischa Maisky - The Complete Duo Recordings (13CD) (2012)

  • 24 Jan, 19:55
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Artist:
Title: The Complete Duo Recordings
Year Of Release: 2013
Label: Deutsche Grammophon
Genre: Classical
Quality: FLAC (tracks)
Total Time: 13:17:18
Total Size: 3.54 Gb
WebSite:

Tracklist:

CD 1
1 Beethoven: Sonata For Violin And Piano No.1 In D, Op.12 No.1 - 1. Allegro con brio
2 Beethoven: Sonata For Violin And Piano No.1 In D, Op.12 No.1 - 2. Tema con variazioni (Andante con moto)
3 Beethoven: Sonata For Violin And Piano No.1 In D, Op.12 No.1 - 3. Rondo (Allegro)
4 Beethoven: Sonata For Violin And Piano No.2 In A, Op.12 No.2 - 1. Allegro vivace
5 Beethoven: Sonata For Violin And Piano No.2 In A, Op.12 No.2 - 2. Andante più tosto allegretto
6 Beethoven: Sonata For Violin And Piano No.2 In A, Op.12 No.2 - 3. Allegro piacevole
7 Beethoven: Sonata For Violin And Piano No.3 In E Flat, Op.12 No.3 - 1. Allegro con spirito
8 Beethoven: Sonata For Violin And Piano No.3 In E Flat, Op.12 No.3 - 2. Adagio con molt' espressione
9 Beethoven: Sonata For Violin And Piano No.3 In E Flat, Op.12 No.3 - 3. Rondo (Allegro molto)

Gidon Kremer and Martha Argerich

CD 2
1 J.S. Bach: Sonata For Viola Da Gamba And Harpsichord No.1 In G, BWV 1027 - 1. Adagio
2 J.S. Bach: Sonata For Viola Da Gamba And Harpsichord No.1 In G, BWV 1027 - 2. Allegro ma non tanto
3 J.S. Bach: Sonata For Viola Da Gamba And Harpsichord No.1 In G, BWV 1027 - 3. Andante
4 J.S. Bach: Sonata For Viola Da Gamba And Harpsichord No.1 In G, BWV 1027 - 4. Allegro moderato
5 J.S. Bach: Sonata For Viola Da Gamba And Harpsichord No.2 In D, BWV 1028 - 1. Adagio
6 J.S. Bach: Sonata For Viola Da Gamba And Harpsichord No.2 In D, BWV 1028 - 2. Allegro
7 J.S. Bach: Sonata For Viola Da Gamba And Harpsichord No.2 In D, BWV 1028 - 3. Andante
8 J.S. Bach: Sonata For Viola Da Gamba And Harpsichord No.2 In D, BWV 1028 - 4. Allegro
9 J.S. Bach: Sonata For Viola Da Gamba And Harpsichord No.3 In G Minor, BWV 1029 - 1. Vivace
10 J.S. Bach: Sonata For Viola Da Gamba And Harpsichord No.3 In G Minor, BWV 1029 - 2. Adagio
11 J.S. Bach: Sonata For Viola Da Gamba And Harpsichord No.3 In G Minor, BWV 1029 - 3. Allegro

Mischa Maisky & Martha Argerich

CD 3
1 Schumann: Sonata No.1 For Violin And Piano In A Minor, Op.105 - 1. Mit leidenschaftlichem Ausdruck
2 Schumann: Sonata No.1 For Violin And Piano In A Minor, Op.105 - 2. Allegretto
3 Schumann: Sonata No.1 For Violin And Piano In A Minor, Op.105 - 3. Lebhaft
4 Schumann: Sonata No.2 For Violin And Piano In D Minor, Op.121 - 1. Ziemlich langsam - Lebhaft
5 Schumann: Sonata No.2 For Violin And Piano In D Minor, Op.121 - 2. Sehr lebhaft
6 Schumann: Sonata No.2 For Violin And Piano In D Minor, Op.121 - 3. Leise, einfach
7 Schumann: Sonata No.2 For Violin And Piano In D Minor, Op.121 - 4. Bewegt

Gidon Kremer and Martha Argerich

CD 4
1 Beethoven: Sonata For Violin And Piano No.4 In A Minor, Op.23 - 1. Presto
2 Beethoven: Sonata For Violin And Piano No.4 In A Minor, Op.23 - 2. Andante scherzoso, più allegretto
3 Beethoven: Sonata For Violin And Piano No.4 In A Minor, Op.23 - 3. Allegro molto
4 Beethoven: Sonata For Violin And Piano No.5 In F, Op.24 - "Spring" - 1. Allegro
5 Beethoven: Sonata For Violin And Piano No.5 In F, Op.24 - "Spring" - 2. Adagio molto espressivo
6 Beethoven: Sonata For Violin And Piano No.5 In F, Op.24 - "Spring" - 3. Scherzo (Allegro molto)
7 Beethoven: Sonata For Violin And Piano No.5 In F, Op.24 - "Spring" - 4. Rondo (Allegro ma non troppo)

Gidon Kremer and Martha Argerich

CD 5
1 Bartók: Sonata For Violin And Piano No.1, Sz. 75 - Allegro appassionato
2 Bartók: Sonata For Violin And Piano No.1, Sz. 75 - Adagio
3 Bartók: Sonata For Violin And Piano No.1, Sz. 75 - Allegro
4 Janácek: Violin Sonata - 1. Con moto
5 Janácek: Violin Sonata - 2. Ballada. Con moto
6 Janácek: Violin Sonata - 3. Allegretto
7 Janácek: Violin Sonata - 4. Adagio
8 Messiaen: Theme And Variations For Violin And Piano - Thème. Modéré
9 Messiaen: Theme And Variations For Violin And Piano - Variation 1. Modéré
10 Messiaen: Theme And Variations For Violin And Piano - Variation 2. Un peu moins modéré
11 Messiaen: Theme And Variations For Violin And Piano - Variation 3. Modéré, avec écla
12 Messiaen: Theme And Variations For Violin And Piano - Variation 4. Vif et passionné
13 Messiaen: Theme And Variations For Violin And Piano - Variation 5. Très modéré

Gidon Kremer and Martha Argerich

CD 6
1 Beethoven: 12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66 - Theme. Allegretto
2 Beethoven: 12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66 - Variation I
3 Beethoven: 12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66 - Variation II
4 Beethoven: 12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66 - Variation III
5 Beethoven: 12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66 - Variation IV
6 Beethoven: 12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66 - Variation V
7 Beethoven: 12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66 - Variation VI
8 Beethoven: 12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66 - Variation VII
9 Beethoven: 12 Variations On "Ein Mädchen Oder Weibchen" For Cello And Piano, Op. 66 - Variation VIII
10 Beethoven: 12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66 - Variation IX
11 Beethoven: 12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66 - Variation X. Adagio
12 Beethoven: 12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66 - Variation XI. Poco Adagio, quasi Andante
13 Beethoven: 12 Variations On "Ein Mädchen oder Weibchen" For Cello And Piano, Op. 66 - Variation XII. Allegro
14 Beethoven: Sonata For Cello And Piano No.1 In F, Op.5 No.1 - 1. Adagio sostenuto - Allegro
15 Beethoven: Sonata For Cello And Piano No.1 In F, Op.5 No.1 - 1. Allegr
16 Beethoven: Sonata For Cello And Piano No.1 In F, Op.5 No.1 - 1. Adagio - Presto
17 Beethoven: Sonata For Cello And Piano No.1 In F, Op.5 No.1 - 2. Rondo (Allegro vivace)
18 Beethoven: Sonata For Cello And Piano No.2 In G Minor, Op.5 No.2 - 1a. Adagio sostenuto ed espressivo
19 Beethoven: Sonata For Cello And Piano No.2 In G Minor, Op.5 No.2 - 1b. Allegro molto più tosto presto
20 Beethoven: Sonata For Cello And Piano No.2 In G Minor, Op.5 No.2 - 2. Rondo (Allegro)
21 Beethoven: 7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46 - Theme. Andante
22 Beethoven: 7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46 - Variation I
23 Beethoven: 7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46 - Variation II
24 Beethoven: 7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46 - Variation III
25 Beethoven: 7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46 - Variation IV
26 Beethoven: 7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46 - Variation V. Si prenda il tempo un poco più vivace
27 Beethoven: 7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46 - Variation VI. Adagio
28 Beethoven: 7 Variations On "Bei Männern, welche Liebe fühlen", For Cello And Piano, WoO 46 - Variation VII. Allegro, ma non troppo

Mischa Maisky & Martha Argerich

CD 7
1 Prokofiev: Sonata For Violin And Piano No.1 In F Minor, Op.80 - 1. Andante assai
2 Prokofiev: Sonata For Violin And Piano No.1 In F Minor, Op.80 - 2. Allegro brusco
3 Prokofiev: Sonata For Violin And Piano No.1 In F Minor, Op.80 - 3. Andante
4 Prokofiev: Sonata For Violin And Piano No.1 In F Minor, Op.80 - 4. Allegrissimo
5 Prokofiev: 5 Mélodies, Op.35bis - 1. Andante
6 Prokofiev: 5 Mélodies, Op.35bis - 2. Lento, ma non troppo - Poco più mosso - Tempo I
7 Prokofiev: 5 Mélodies, Op.35bis - 3. Animato, ma non allegro - Poco più tranquillo - Meno mosso
8 Prokofiev: 5 Mélodies, Op.35bis - 4. Allegretto leggero e scherzando
9 Prokofiev: 5 Mélodies, Op.35bis - 5. Andante non troppo - Pochissimo più animato
10 Prokofiev: Sonata For Violin And Piano No.2 In D, Op.94a - 1. Moderato
11 Prokofiev: Sonata For Violin And Piano No.2 In D, Op.94a - 2. Scherzo (Presto)
12 Prokofiev: Sonata For Violin And Piano No.2 In D, Op.94a - 3. Andante
13 Prokofiev: Sonata For Violin And Piano No.2 In D, Op.94a - 4. Allegro con brio

Gidon Kremer and Martha Argerich

CD 8
1 Beethoven: Sonata For Cello And Piano No.3 In A, Op.69 - 1. Allegro ma non tanto
2 Beethoven: Sonata For Cello And Piano No.3 In A, Op.69 - 2. Scherzo (Allegro molto)
3 Beethoven: Sonata For Cello And Piano No.3 In A, Op.69 - 3. Adagio cantabile - Allegro vivace
by Mischa Maisky & Martha Argerich
4 Beethoven: Sonata For Cello And Piano No.3 In A, Op.69 - 4. Allegro vivace
5 Beethoven: Sonata For Cello And Piano No.4 In C, Op.102 No.1 - 1. Andante
6 Beethoven: Sonata For Cello And Piano No.4 In C, Op.102 No.1 - 2. Allegro vivace
7 Beethoven: Sonata For Cello And Piano No.4 In C, Op.102 No.1 - 3. Adagio
8 Beethoven: Sonata For Cello And Piano No.4 In C, Op.102 No.1 - 4. Allegro vivace
9 Beethoven: Sonata For Cello And Piano No.5 In D, Op.102 No.2 - 1. Allegro con brio
10 Beethoven: Sonata For Cello And Piano No.5 In D, Op.102 No.2 - 2. Adagio con molto sentimento d'affetto
11 Beethoven: Sonata For Cello And Piano No.5 In D, Op.102 No.2 - 3. Allegro - Allegro fugato
12 Beethoven: 12 Variations On "See The Conquering Hero Comes" For Cello And Piano, WoO 45 - Thema. Allegretto
13 Beethoven: 12 Variations On "See The Conquering Hero Comes" For Cello And Piano, WoO 45 - Variation I
14 Beethoven: 12 Variations On "See The Conquering Hero Comes" For Cello And Piano, WoO 45 - Variation II
15 Beethoven: 12 Variations On "See The Conquering Hero Comes" For Cello And Piano, WoO 45 - Variation III
16 Beethoven: 12 Variations On "See The Conquering Hero Comes" For Cello And Piano, WoO 45 - Variation IV
17 Beethoven: 12 Variations On "See The Conquering Hero Comes" For Cello And Piano, WoO 45 - Variation V
18 Beethoven: 12 Variations On "See The Conquering Hero Comes" For Cello And Piano, WoO 45 - Variation VI
19 Beethoven: 12 Variations On "See The conquering Hero Comes" For Cello And Piano, WoO 45 - Variation VII
20 Beethoven: 12 Variations On "See The Conquering Hero Comes" For Cello And Piano, Woo 45 - Variation VIII
21 Beethoven: 12 Variations On "See The Conquering Hero Comes" For Cello And Piano, WoO 45 - Variation IX
22 Beethoven: 12 Variations On "See The Conquering Hero Comes" For Cello And Piano, WoO 45 - Variation X. Allegro
23 Beethoven: 12 Variations On "See The Conquering Hero Comes" For Cello And Piano, WoO 45 - Variation XI. Adagio
24 Beethoven: 12 Variations On "See The Conquering Hero Comes" For Cello And Piano, WoO 45 - Variation XII. Allegro

Mischa Maisky & Martha Argerich

CD 9
1 Beethoven: Sonata For Violin And Piano No.6 In A, Op.30 No.1 - 1. Allegro
2 Beethoven: Sonata For Violin And Piano No.6 In A, Op.30 No.1 - 2. Adagio
3 Beethoven: Sonata For Violin And Piano No.6 In A, Op.30 No.1 - 3. Allegretto con variazioni
4 Beethoven: Sonata For Violin And Piano No.7 In C Minor, Op.30 No.2 - 1. Allegro con brio
5 Beethoven: Sonata For Violin And Piano No.7 In C Minor, Op.30 No.2 - 2. Adagio cantabile
6 Beethoven: Sonata For Violin And Piano No.7 In C Minor, Op.30 No.2 - 3. Scherzo (Allegro)
7 Beethoven: Sonata For Violin And Piano No.7 In C Minor, Op.30 No.2 - 4. Finale (Allegro)
8 Beethoven: Sonata For Violin And Piano No.8 In G, Op.30 No.3 - 1. Allegro assai
9 Beethoven: Sonata For Violin And Piano No.8 In G, Op.30 No.3 - 2. Tempo di minuetto, ma molto moderato e grazioso
10 Beethoven: Sonata For Violin And Piano No.8 In G, Op.30 No.3 - 3. Allegro vivace

Gidon Kremer and Martha Argerich

CD 10
1 Beethoven: Sonata For Violin And Piano No.9 In A, Op.47 - "Kreutzer" - 1. Adagio sostenuto - Presto
2 Beethoven: Sonata For Violin And Piano No.9 In A, Op.47 - "Kreutzer" - 2. Andante con variazioni
3 Beethoven: Sonata For Violin And Piano No.9 In A, Op.47 - "Kreutzer" - 3. Finale (Presto)
4 Beethoven: Sonata For Violin And Piano No.10 In G, Op.96 - 1. Allegro moderato
5 Beethoven: Sonata For Violin And Piano No.10 In G, Op.96 - 2. Adagio espressivo
6 Beethoven: Sonata For Violin And Piano No.10 In G, Op.96 - 3. Scherzo (Allegro)
7 Beethoven: Sonata For Violin And Piano No.10 In G, Op.96 - 4. Poco allegretto

Gidon Kremer and Martha Argerich

CD 11
1 Schumann: Adagio And Allegro In A Flat, Op.70 - 1. Langsam, mit innigem Ausdruck
2 Schumann: Adagio and Allegro In A Flat, Op.70 - 2. Rasch und feurig
3 Schumann: Fantasiestücke, Op.73 - 1. Zart und mit Ausdruck
4 Schumann: Fantasiestücke, Op.73 - 2. Lebhaft, leicht
5 Schumann: Fantasiestücke, Op.73 - 3. Rasch und mit Feuer
6 Schumann: 3 Romances, Op.94 - No.1 Nicht schnell
7 Schumann: 5 Stücke Im Volkston, Op.102 - 1. Vanitas vanitatum (Mit Humor)
8 Schumann: 5 Stücke im Volkston, Op.102 - 2. Langsam
9 Schumann: 5 Stücke im Volkston, Op.102 - 3. Nicht schnell, mit viel Ton zu spielen
10 Schumann: 5 Stücke im Volkston, Op.102 - 4. Nicht zu rasch
11 Schumann: 5 Stücke im Volkston, Op.102 - 5. Stark und markiert
by Mischa Maisky & Martha Argerich
12 Schumann: Märchenbilder, Op.113 - Transcribe For Vc/Pno By M.Maisky - 1. Nicht schnell
by Mischa Maisky & Martha Argerich

13 Schumann: Cello Concerto in A minor, Op.129 - 1. Nicht zu schnell
14 Schumann: Cello Concerto In A Minor, Op.129 - 2. Langsam
15 Schumann: Cello Concerto In A Minor, Op.129 - 3. Etwas lebhafter

Mischa Maisky and Orpheus Chamber Orchestra

CD 12
1 Applause (Live)
2 Chopin: Cello Sonata In G Minor, Op.65 - 1. Allegro moderato (Live)
3 Chopin: Cello Sonata In G Minor, Op.65 - 2. Scherzo (Allegro con brio) (Live)
4 Chopin: Cello Sonata In G Minor, Op.65 - 3. Largo (Live)
5 Chopin: Cello Sonata In G Minor, Op.65 - 4. Finale (Allegro) (Live)
6 Franck: Sonata For Violin And Piano In A - Played On The Violoncello - 1. Allegretto ben moderato (Live)
7 Franck: Sonata For Violin And Piano In A - Played On The Violoncello - 2. Allegro - Quasi lento - Tempo 1 (Allegro) (Live)
8 Franck: Sonata For Violin And Piano In A - Played On The Violoncello - 3. Recitativo - Fantasie (Ben moderato - Largamente - Molto vivace) (Live)
9 Franck: Sonata For Violin And Piano In A - Played On The Violoncello - 4. Allegretto poco mosso (Live)
10 Debussy: Sonata in D Minor for Cello & Piano, L.135 - 1. Prologue (lent) (Live)
11 Debussy: Sonata in D Minor for Cello & Piano, L.135 - 2. Sérénade (Modérément animé) (Live)
12 Debussy: Sonata in D Minor for Cello & Piano, L.135 - 3. Finale (Animé) (Live)
13 Chopin: Introduction And Polonaise, Op.3 - Introduction - Lento (Live)
14 Chopin: Introduction And Polonaise, Op.3 - Alla Polacca - Allegro con spirito (Live)

Mischa Maisky & Martha Argerich

CD 13

1 Applause (Live)
2 Stravinsky: Suite Italienne (From "Pulcinella") - For Violoncello And Piano - 1. Introduzione (Live)
3 Stravinsky: Suite Italienne (From "Pulcinella") - For Violoncello And Piano - 2. Serenata (Live)
4 Stravinsky: Suite Italienne (From "Pulcinella") - For Violoncello And Piano - 3. Aria (Live)
5 Stravinsky: Suite Italienne (From "Pulcinella") - For Violoncello And Piano - 4. Tarantella (Live)
6 Stravinsky: Suite Italienne (From "Pulcinella") - For Violoncello And Piano - 5. Minuetto e Finale (Live)
7 Applause (Live)
8 Prokofiev: Sonata For Cello & Piano, Op.119 - 1. Andante grave (Live)
9 Prokofiev: Sonata For Cello & Piano, Op.119 - 2. Moderato (Live)
10 Prokofiev: Sonata For Cello & Piano, Op.119 - 3. Allegro ma non troppo (Live)
11 Applause (Live)
12 Shostakovich: Sonata For Cello And Piano, Op.40 - 1. Allegro non troppo (Live)
13 Shostakovich: Sonata For Cello And Piano, Op.40 - 2. Allegro (Live)
14 Shostakovich: Sonata For Cello And Piano, Op.40 - 3. Largo (Live)
15 Shostakovich: Sonata For Cello And Piano, Op.40 - 4. Allegro (Live)
16 Applause (Live)
17 Prokofiev: The Tale Of The Stone Flower, Ballet In 4 Acts, Op.118 - Arranged For Cello And Piano By G.Piatigorsky And S. Knushevitsky - Waltz (Live)
18 Applause (Live)

Mischa Maisky & Martha Argerich

Although Argerich has participated in numerous musical partnerships, not to mention her longtime mentoring of young artists, her associations with violinist Gidon Kremer and cellist Mischa Maisky are surely among the pianist's most substantial and musically rewarding collaborations. The present collection includes all of the Argerich/Kremer and Argerich/Maisky duo recordings for Deutsche Grammophon as originally released and in chronological order, allowing listeners the opportunity to trace each duo's evolution in terms of artistic rapport, sensitivity, risk-taking and the fine tuning of nuance.
Any discussion of Beethoven's violin sonatas (CDs 1, 4, 9 & 10) must address the fact that the composer did not designate these works as being "for violin and piano". For example, the first published edition of the "Spring" Sonata op. 24 from October 1801 reads "Sonate pour le Piano Forte," in large letters, followed in smaller print by "avec un Violon." Similarly, the title-page of the first edition of the "Kreutzer" Sonata op. 47 from April 1805 reads "Sonata per il Piano-forte ed un Violino obligato." None of this should be taken to mean that the violin writing plays "second fiddle" to the piano part, so to speak, but rather that both instruments carry equal weight within the musical discourse.
Argerich and Kremer understood this from the start of their recorded Beethoven encounters, originally intended as part of a series encompassing all the violin sonatas, the music for cello and piano with Maisky, plus the five piano concerti with Giuseppe Sinopoli and the Philharmonia Orchestra (in the end, Argerich and Sinopoli recorded only the First and Second Concertos). Initially Argerich expressed apprehension about recording Beethoven, lest her readings might sound self-conscious under the microphone's objective, unforgiving scrutiny. Yet, during an interview conducted prior to the cycle's final sessions, both Argerich and Kremer spoke of using the recording process to look for the unexpected. "It was an inspired idea to match (Argerich) against a violinist so unpredictable as she is herself," wrote Edward Greenfield in Gramophone, "for though there is nothing `safe' about these interpretations, and not everyone will respond to their sparkling, volatile qualities, the liveness of the experience is undeniable."





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