Wiener KammerOrchester, Stefan Vladar - Beethoven: The Solo Concertos (2016) [Hi-Res]

Tracklist
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CD1
01. Piano Concerto No. 1 in C Major, Op. 15: I. Allegro con brio
02. Piano Concerto No. 1 in C Major, Op. 15: II. Largo
03. Piano Concerto No. 1 in C Major, Op. 15: III. Rondo. Allegro
04. Piano Concerto No. 2 in B-Flat Major, Op. 19: I. Allegro con brio
05. Piano Concerto No. 2 in B-Flat Major, Op. 19: II. Adagio
06. Piano Concerto No. 2 in B-Flat Major, Op. 19: III. Rondo. Molto allegro

CD2
01. Piano Concerto No. 3 in C Minor, Op. 37: I. Allegro con brio
02. Piano Concerto No. 3 in C Minor, Op. 37: II. Largo
03. Piano Concerto No. 3 in C Minor, Op. 37: III. Rondo. Allegro-Presto
04. Piano Concerto No. 4 in G Major, Op. 58: I. Allegro moderato
05. Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto
06. Piano Concerto No. 4 in G Major, Op. 58: III. Rondo. Vivace

CD3
01. Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": I. Allegro
02. Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco moto
03. Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": III. Rondo. Allegro
04. Triple Concerto for Violin, Cello & Piano in C Major, Op. 56: I. Allegro
05. Triple Concerto for Violin, Cello & Piano in C Major, Op. 56: II. Largo
06. Triple Concerto for Violin, Cello & Piano in C Major, Op. 56: III. Rondo alla polacca

CD4
01. Violin Concerto in D Major, Op. 61: I. Allegro ma non troppo
02. Violin Concerto in D Major, Op. 61: II. Larghetto
03. Violin Concerto in D Major, Op. 61: III. Rondo. Allegro
04. Romance No. 2 in F Major, Op. 50
05. Romance No. 1 in G Major, Op. 40

In conjunction with his Viennese Chamber Orchestra, the Austrian pianist and conductor Stefan Vladar presents a new studio production of the solo concertos by Ludwig van Beethoven. He does so in proven twin function in the spirit of Viennese musical tradition: “As a pianist and conductor in one person, it is possible to convey a better overall impression of these concertos and I understand this more than expanded chamber music as pure solo concertos with orchestra.” (Stefan Vladar)

Supported by high-quality soloists, the virtuoso concertos experience a contemporary performance somewhere between tradition and a chamber musical interpretation: “With Beethoven, you have to have stamina as well as perfection and great vision. Actually, you have to be able to perform almost superhuman things.” (Isabelle van Keulen)

This is a new and fascinating sound document from the musical metropolis of Vienna: “Of course, performing music in Vienna is something very special. Here, there is a natural understanding, an energy and a passion for music that is by no means common.” (Julian Steckel)

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