Little Free Rock - Time Is of No Consequenc (Reissue) (1969-71/1991)
Artist: Little Free Rock
Title: Time Is of No Consequenc
Year Of Release: 1969-71/1991
Label: World Wide Records
Genre: Heavy Psychedelic Rock, Blues Rock
Quality: Mp3 320 / Flac (image, .cue)
Total Time: 54:37
Total Size: 149/326 Mb (scans)
WebSite: Album Preview
Title: Time Is of No Consequenc
Year Of Release: 1969-71/1991
Label: World Wide Records
Genre: Heavy Psychedelic Rock, Blues Rock
Quality: Mp3 320 / Flac (image, .cue)
Total Time: 54:37
Total Size: 149/326 Mb (scans)
WebSite: Album Preview
Tracklist:
01. Money On Your Mind (Peter Illingworth) - 4:19
02. Evil Woman (Frank Newbold, Peter Illingworth) - 4:33
03. Time Is Of No Consequence (Peter Illingworth) - 5:08
04. Tiego (Peter Illingworth) - 4:13
05. Talking To The Trees (Peter Illingworth) - 3:45
06. Big Bird (Peter Illingworth) - 4:00
07. Money On Your Mind (Peter Illingworth) - 4:37
08. Evil Woman (Frank Newbold, Peter Illingworth) - 4:33
09. Time Is Of No Consequence (No Vocals) (Peter Illingworth) - 5:07
10. Roman Sumer Nights (as The Purple Haze) (Frank Newbold) - 2:32
11. Wait A While (as The Purple Haze) (Peter Illingworth) - 2:17
12. Blud (as The Purple Haze) (Peter Illingworth) - 3:50
13, Dream (as The Purple Haze) (Frank Newbold) - 2:24
14. Evil Woman (as The Purple Haze) (Frank Newbold, Peter Illingworth) - 2:47
Line-up::
Frank Newbold - Bass (The Purple Haze)
John Taylor - Bass
Paul Varley - Drums
Peter Illingworth - Guitar
Eric Carboo - Percussion
This is a collection of demos and unreleased tracks by a British hard rock trio that recorded a self-titled album in 1969, some of the cuts recorded at the point when the band was evolving from their prior incarnation, Purple Haze, into Little Free Rock. On these recordings, the band plays bluesy hard rock of the school founded by Cream and Fleetwood Mac, using African-influenced percussive grooves at times. Sure, the playing is competent, but in a scene with as much blues-rock talent as Britain had in the late '60s, you needed more than that to stand out from the crowd. And Little Free Rock didn't have it here, with repetitious songs that sometimes sounded more like sketchy throwaways than fully formed ideas, sometimes with little more apparent thought than supplying a "let's get it on" vibe. The fans-only nature of this compilation is compounded by multiple versions of some of the tracks, including three of "Evil Woman," though at least the different versions are spaced out throughout the disc to avoid immediate redundancy.