Tim Bowness - Flowers At The Scene (2019) [CD Rip]
Artist: Tim Bowness
Title: Flowers At The Scene
Year Of Release: 2019
Label: Sony Music / Inside Out Music
Genre: Art Rock, Prog Rock
Quality: FLAC (tracks + .cue, log, scans)
Total Time: 42:56
Total Size: 489 MB
WebSite: Album Preview
Tracklist:Title: Flowers At The Scene
Year Of Release: 2019
Label: Sony Music / Inside Out Music
Genre: Art Rock, Prog Rock
Quality: FLAC (tracks + .cue, log, scans)
Total Time: 42:56
Total Size: 489 MB
WebSite: Album Preview
01. I Go Deeper (4:16)
02. The Train That Pulled Away (4:04)
03. Rainmark (4:15)
04. Not Married Anymore (3:31)
05. Flowers At The Scene (3:05)
06. It's The World (3:04)
07. Borderline (3:46)
08. Ghostlike (5:09)
09. The War On Me (3:48)
10. Killing To Survive (4:00)
11. What Lies Here (4:01)
Lost In The Ghost Light is a concept album revolving around the onstage and backstage reflections of a fictional ‘classic’ Rock musician in the twilight of his career. It is a grand statement about a grand era of music making and an undoubted highlight of Bowness’s career.
Ranging from the hypnotic opener Worlds Of Yesterday to the wistful climax of Distant Summers, via the thrilling rage of Kill The Pain That’s Killing You and the orchestral expanse of You’ll Be The Silence, the album features some stunning solos and harmonically rich compositions that represent Bowness’s most musically ambitious work to date. Lyrically, the album addresses how the era of streaming and ageing audiences affects creativity, how a life devoted to music impacts on real / family life, and how idealistic beginnings can become compromised by complacency and the fear of being replaced by younger, more vital artists.
Though firmly focused on Bowness’s distinctive voice and musical approach, the album also draws inspiration from the period the concept covers and contains a notable 1970s Symphonic/Progressive Rock influence.
Mixed and mastered by Bowness’s No-Man partner Steven Wilson, Lost In The Ghost Light uses a core band comprising Stephen Bennett, Colin Edwin (Porcupine Tree), Bruce Soord (The Pineapple Thief), Hux Nettermalm (Paatos) and Andrew Booker (Sanguine Hum), as well as guests including Kit Watkins (Happy The Man/Camel), Steve Bingham (No-Man) and the legendary Ian Anderson (Jethro Tull). Andrew Keeling (Robert Fripp/Hilliard Ensemble/Evelyn Glennie) arranges for string quartet and flute on three of the album’s songs.
Ranging from the hypnotic opener Worlds Of Yesterday to the wistful climax of Distant Summers, via the thrilling rage of Kill The Pain That’s Killing You and the orchestral expanse of You’ll Be The Silence, the album features some stunning solos and harmonically rich compositions that represent Bowness’s most musically ambitious work to date. Lyrically, the album addresses how the era of streaming and ageing audiences affects creativity, how a life devoted to music impacts on real / family life, and how idealistic beginnings can become compromised by complacency and the fear of being replaced by younger, more vital artists.
Though firmly focused on Bowness’s distinctive voice and musical approach, the album also draws inspiration from the period the concept covers and contains a notable 1970s Symphonic/Progressive Rock influence.
Mixed and mastered by Bowness’s No-Man partner Steven Wilson, Lost In The Ghost Light uses a core band comprising Stephen Bennett, Colin Edwin (Porcupine Tree), Bruce Soord (The Pineapple Thief), Hux Nettermalm (Paatos) and Andrew Booker (Sanguine Hum), as well as guests including Kit Watkins (Happy The Man/Camel), Steve Bingham (No-Man) and the legendary Ian Anderson (Jethro Tull). Andrew Keeling (Robert Fripp/Hilliard Ensemble/Evelyn Glennie) arranges for string quartet and flute on three of the album’s songs.