Claudia Boyle - Donnacha Dennehy: The Last Hotel (2019)

  • 17 Mar, 22:13
  • change text size:

Artist:
Title: Donnacha Dennehy: The Last Hotel
Year Of Release: 2019
Label: Cantaloupe Music
Genre: Classical
Quality: FLAC (tracks+booklet)
Total Time: 74:21 min
Total Size: 369 MB
WebSite:

Tracklist:

01. The Last Hotel: Nice Decorative Features. Feels Homely
02. The Last Hotel: It Was to Celebrate These New Houses
03. The Last Hotel: Each of Our Rooms
04. The Last Hotel: I Respect the Buffet
05. The Last Hotel: It's Me
06. The Last Hotel: Breathe Deep
07. The Last Hotel: The Kids Said I'd Die Fat
08. The Last Hotel: We'll Rehearse, Right:
09. The Last Hotel: Man Is Nothing Without Dreams, Pt. 1
10. The Last Hotel: The Rehearsal
11. The Last Hotel: She's in a Desperate State
12. The Last Hotel: To Feel like the Sun
13. The Last Hotel: And Leave Now, and Change to Another
14. The Last Hotel: Man Is Nothing Without Dreams, Pt. 2
15. The Last Hotel: Look at You Two
16. The Last Hotel: It May Pass
17. The Last Hotel: An Afternoon in Surrey
18. The Last Hotel: And They Are Coming Home
19. The Last Hotel: Let Me Leave
20. The Last Hotel: How Still the Sea
21. The Last Hotel: The Hotel Porter's Dance

Reviewing the 2015 world premiere of composer Donnacha Dennehy and playwright Enda Walsh's opera The Last Hotel, The Guardian's Kate Molleson was smitten by "a dark drama in which death hangs over every move the titular hotel is a shabby establishment where guests go to kill themselves." That description alone is all the listener needs to appreciate the visceral energy of the performances captured here by Claudia Boyle, Robin Adams, Katherine Manley and actor Mikel Murfi (whose presence as the silent Porter is more implied than directly felt), all ably supported by the agile, dynamic sound of Ireland's renowned Crash Ensemble, conducted by Alan Pierson. Modern musical theater has consistently pushed against the boundaries of what constitutes "opera," in the traditional Western classical sense; The Last Hotel is firmly rooted in that vanguard, merging the grit and gall of experimental theater and independent arthouse films with the crackling trajectory of post-classical chamber music.