Barclay James Harvest - Live (Reissue) (1974/2005)
Artist: Barclay James Harvest
Title: Live
Year Of Release: 1974/2005
Label: Esoteric Recordings
Genre: Prog Rock
Quality: Mp3 320 / Flac (tracks, .cue, log)
Total Time: 01:15:20
Total Size: 199/482 Mb (scans)
WebSite: Album Preview
Title: Live
Year Of Release: 1974/2005
Label: Esoteric Recordings
Genre: Prog Rock
Quality: Mp3 320 / Flac (tracks, .cue, log)
Total Time: 01:15:20
Total Size: 199/482 Mb (scans)
WebSite: Album Preview
Tracklist:
1. Summer Soldier (John Lees) - 10:19
2. Medicine Man (John Lees) - 10:27
3. Crazy City (Les Holroyd) - 4:59
4. After The Day (John Lees) - 7:11
5. The Great 1974 Mining Disaster (John Lees) - 6:32
6. Galadriel (John Lees) - 3:09
7. Negative Earth (Les Holroyd, Mel Pritchard) - 6:20
8. She Said (Les Holroyd) - 8:33
9. Paper Wings (Les Holroyd, Mel Pritchard) - 4:19
10. For No One (John Lees) - 5:51
11. Mockingbird (John Lees) - 7:41
Line-up::
John Lees - Lead Guitar, Recorder, Vocals
Stuart "Woolly" Wolstenholme - Mellotron, Electric Piano, Moog, Vocals
Les Holroyd - Bass Guitar, Rhythm Guitar, Vocals
Mel Pritchard - Drums
Barclay James Harvest are an English progressive rock band. They were founded in Oldham, in September 1966 by guitarist/vocalist John Lees (b. 1947), bassist/vocalist Les Holroyd (b. 1948), keyboardist/vocalist Stuart "Woolly" Wolstenholme (1947–2010), and drummer/percussionist Mel Pritchard (1948–2004)
Though it seems odd that a double-live album could serve as a band's breakthrough release, Live shows the band clearly building upon the strengths of their previous studio albums while avoiding their excesses. Without a string section to back them up -- or to smother them, depending on your thinking -- the band draws more heavily on its rhythm section and on the tonal colorings of Wolstenholme's Mellotron, the latter most clearly on "The Great 1974 Mining Disaster." The rich harmonies, political content, and poignant twang of John Lees songs like "For No One" come across here with the same kind of ragged majesty as Neil Young's live work. And an epic-length "Medicine Man," unburdened of its heavy orchestral arrangement and beefed up with a newly emphasized guitar and drum parts, reveals the brawn lurking beneath the lassitude of the studio version. Overall, it's a solid live collection, and a fine starting point for those new to the band's body of work.
Though it seems odd that a double-live album could serve as a band's breakthrough release, Live shows the band clearly building upon the strengths of their previous studio albums while avoiding their excesses. Without a string section to back them up -- or to smother them, depending on your thinking -- the band draws more heavily on its rhythm section and on the tonal colorings of Wolstenholme's Mellotron, the latter most clearly on "The Great 1974 Mining Disaster." The rich harmonies, political content, and poignant twang of John Lees songs like "For No One" come across here with the same kind of ragged majesty as Neil Young's live work. And an epic-length "Medicine Man," unburdened of its heavy orchestral arrangement and beefed up with a newly emphasized guitar and drum parts, reveals the brawn lurking beneath the lassitude of the studio version. Overall, it's a solid live collection, and a fine starting point for those new to the band's body of work.
