Sabine Meyer - The Very Best of Sabine Meyer (2011)

18 Mar, 08:27
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Artist: Sabine Meyer
Title: The Very Best of Sabine Meyer
Year Of Release: 2011
Label: EMI Classics
Genre: Classical
Quality: FLAC (tracks)
Total Time: 02:24:08
Total Size: 623 Mb
WebSite: Album Preview

Tracklist:

CD 1
1. Clarinet Concerto in A Major, K. 622 (Reconstruction for Basset Horn): I. Allegro
2. Clarinet Concerto in A Major, K. 622: II. Adagio
3. Clarinet Concerto in A Major, K. 622 (Reconstruction for Basset Horn): III. Rondo (Allegro)
4. Clarinet Concerto No. 1 in F Minor, Op. 73, J. 114: I. Allegro (Cadenza by Heinrich Joseph Baermann)
5. Clarinet Concerto No. 1 in F Minor, Op. 73, J. 114: II. Adagio ma non troppo
6. Clarinet Concerto No. 1 in F Minor, Op. 73, J. 114: III. Rondo (Allegretto)
7. Clarinet Concerto No. 10 in B-Flat Major: I. Allegro
8. Clarinet Concerto No. 10 in B-Flat Major: II. Andante moderato
9. Clarinet Concerto No. 10 in B-Flat Major: III. Rondo
by Sabine Meyer
10. Serenade in B-Flat Major, K. 361/370a, "Gran Partita": III. Adagio
by Bläserensemble Sabine Meyer

CD 2
1. Concertino for Clarinet in E-Flat Major, Op. 26: I. Adagio ma non troppo
2. Concertino for Clarinet in E-Flat Major, Op. 26: II. Andante
3. Concertino for Clarinet in E-Flat Major, Op. 26: III. Allegro
by Sabine Meyer/Staatskapelle Dresden/Herbert Blomstedt
4. Serenade for 3 Clarinets in F Major on Themes from "Le nozze di Figaro", K. 577: I. Rondo "Al desio, di chi t'adora" (Larghetto - Allegro)
5. Serenade for 3 Clarinets in F Major on Themes from "Le nozze di Figaro", K. 577: II. Arietta "Voi che sapete" (Andante)
6. Serenade for 3 Clarinets in F Major on Themes from "Le nozze di Figaro", K. 577: III. Aria "Non piu andrai, farfallone amoroso" (Allegro)
7. Don Giovanni, K. 527, Act 1 Scene 3: No. 7, Duettino "Là ci darem la mano" (Arr. for 3 Basset Horns)
8. Don Giovanni, K. 527, Act 2 Scene 1: No. 18, Aria "Vedrai carino" (Arr. for 3 Basset Horns)
by Trio di Clarone/Wolfgang Meyer/Reiner Wehle/Sabine Meyer
9. 3 Pieces for Clarinet Solo: I. Sempre e molto tranquillo
10. 3 Pieces for Clarinet Solo: II. (without tempo indication)
11. 3 Pieces for Clarinet Solo: III. (without tempo indication)
by Sabine Meyer/Trio di Clarone
12. Sonata for Two Clarinets, FP 7: I. Presto
13. Sonata for Two Clarinets, FP 7: II. Andante
14. Sonata for Two Clarinets, FP 7: III. Vif
by Wolfgang Meyer/Sabine Meyer
15. Konzertstück for Clarinet and Basset Horn No. 1 in F Minor, Op. 113: I. Allegro con fuoco - II. Andante - III. Presto (Orchestral Version by Mendelssohn)
16. Konzertstück for Clarinet and Basset Horn No. 2, Op. 114: II. Presto - II. Andante - III. Allegretto grazioso (Orchestral Version by Carl Baermann)
17. Introduction, Theme and Variations for Clarinet in B-Flat Major
by Sabine Meyer
18. Märchenerzählungen, Op. 132: I. Lebhaft nicht zu schnell
19. Märchenerzählungen, Op. 132: II. Lebhaft und sehr markiert
20. Märchenerzählungen, Op. 132: III. Ruhiges Tempo mit zartem Ausdruck
21. Märchenerzählungen, Op. 132: IV. Lebhaft und sehr markiert
by Sabine Meyer/Tabea Zimmermann/Hartmut Höll

The breadth of clarinetist Sabine Meyer's repertoire is matched by her dedication to collaborations with other, equally skilled musicians. She received her first music lessons from her father, clarinetist Karl Meyer, and then went on to study with Otto Hermann in Stuttgart and Hans Deinzer in Hannover. She was 16 when she made her professional debut. She joined Munich's Bavarian Radio Symphony Orchestra for a time, then in 1982, Herbert von Karajan created something of an international stir by appointing her as solo clarinetist for the Berlin Philharmonic, going against the orchestra's tradition of not admitting female musicians. However, she only remained with the orchestra for a year, as the demand grew for her to perform as soloist with other orchestras and chamber ensembles. In addition to having performed with more than 80 professional orchestras in Germany and her regular appearances throughout Europe, North America, and Japan, her work has taken her to Brazil, Africa, Israel, and Australia. Meyer's chamber music partners have included Barbara Hendricks, Gidon Kremer, Tabea Zimmermann, Heinrich Schiff, Oleg Maisenberg, Lars Vogt, the Vienna String Sextet; the Hagen, Cleveland, and Alban Berg quartets; and the Tokyo String Quartet, with whom she toured in 2001-2002. In 1983 she formed the Clarone Trio with her brother, Wolfgang Meyer, and her husband, Reiner Wehle, and in 1988 the Bläserensemble Sabine Meyer. With the Trio, she has recorded with jazz clarinetists Eddie Daniels and Michael Riessler. Meyer's recordings had garnered six ECHO awards from the Deutsche Phonoakademie as of 2003, the most for any one classical artist at the time. Her recordings include most of the standard concerto, solo, and chamber music repertory for clarinet, but she has worked assiduously with contemporary composers to present new works as well. The award-winning album Modern Works for Wind Ensemble features works by Denisov, Hosokawa, Castiglioni, Obst, and Raskatov, and she has also premiered pieces by Harald Genzmer, Marc-André Dalbavie, and Manfred Trojahn. In 1993 Meyer was appointed professor at the Lübeck Academy of Music. She makes a specific emphasis on solid technical training for her students to aid their tone quality. What little time she has left after all her performing, recording, and teaching engagements she spends with her husband and two children in Lübeck, where she also raises horses.

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