Marie-Claude Bantigny - Beethoven: Complete Sonatas for Cello & Piano (2019)

21 Mar, 23:24
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Artist: Marie-Claude Bantigny
Title: Beethoven: Complete Sonatas for Cello & Piano
Year Of Release: 2019
Label: Paraty
Genre: Classical
Quality: FLAC (tracks)
Total Time: 120:01 min
Total Size: 403 MB
WebSite: Album Preview

Tracklist:

CD1:

01. Sonata No. 1 in F Major, Op. 5: I. Adagio sostenuto-allegro
02. Sonata No. 1 in F Major, Op. 5: II. Allegro vivace
03. Sonata No. 1 in F Major, Op. 5: III. Rondo (Allegro vivace)
04. Sonata No. 2 in G Minor, Op. 5: I. Adagio sostenuto ed expressivo
05. Sonata No. 2 in G Minor, Op. 5: II. Allegro molto, piu tosto presto
06. Sonata No. 2 in G Minor, Op. 5: III. Rondo (Allegro)
07. Sonata No. 3 in A Major, Op. 69: I. Allegro ma non tanto
08. Sonata No. 3 in A Major, Op. 69: II. Scherzo. Allegro molto
09. Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile
10. Sonata No. 3 in A Major, Op. 69: IV. Allegro vivace

CD2:

01. Sonata No. 4 in C Major, Op. 102, No. 1: I. Andante
02. Sonata No. 4 in C Major, Op. 102, No. 1: II. Allegro vivace
03. Sonata No. 4 in C Major, Op. 102, No. 1: III. Adagio
04. Sonata No. 4 in C Major, Op. 102, No. 1: IV. Allegro vivace
05. Sonata No. 5 in D Major, Op. 102, No. 2: I. Allegro con brio
06. Sonata No. 5 in D Major, Op. 102, No. 2: II. Adagio con molto sentimento d'affetto
07. Sonata No. 5 in D Major, Op. 102, No. 2: III. Allegro-Allegro fugato

Beethoven’s Sonatas for cello and piano span his entire creative life. The two Opus 5 works were composed in 1796 and dedicated to King Frederick William II of Prussia. Beethoven, a virtuoso pianist, incorporated many of the techniques of Jean-Louis Duport, one of Frederick II’s court cellists and one of the most revered musicians of his era.
The Third Sonata Opus 69 dates from the composer’s “Middle Period”, and is contemporary with the 4th and 5th Symphonies and the Razumovsky String Quartets. Dedicated to Baron Ignaz von Gleichenstein, its premiere was probably given by the cellist Joseph Linke, accompanied by Carl Czerny at the piano. The score displays brilliant thematic inventiveness in a tender, lyrical vein which reveals the proximity of the Pathétique Sonata.
The two Opus 102 Sonatas were composed at the beginning of Beethoven’s visionary “Late Period”, during 1815 and 1816. They were dedicated to the Countess Marie von Erdődy. These are mature works which open the doorway to Romanticism, both in their formal freedom and in their rhythmic and melodic audacity.

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