Daniel Chorzempa - Handel: Organ Concertos Nos. 7, 9, 10 & 12 Vol. 3 (2003) [SACD]
Artist: Daniel Chorzempa, Concerto Amsterdam & Jaap Schröder
Title: Handel: Organ Concertos Nos. 7, 9, 10 & 12 Vol. 3
Year Of Release: 2003
Label: PentaTone Classics
Genre: Classical
Quality: DST64 image (*.iso) 2.0 / 5.0
Total Time: 1:05:43
Total Size: 2.99 GB
WebSite: Album Preview
Tracklist:Title: Handel: Organ Concertos Nos. 7, 9, 10 & 12 Vol. 3
Year Of Release: 2003
Label: PentaTone Classics
Genre: Classical
Quality: DST64 image (*.iso) 2.0 / 5.0
Total Time: 1:05:43
Total Size: 2.99 GB
WebSite: Album Preview
George Frideric Handel (1685-1759)
Orgelkonzert Nr. 7 B-dur op. 7 Nr. 1
1. Andante
2. Andante
3. Largo, e piano
4. Fuga
5. Larghetto
6. Bourree
Orgelkonzert Nr. 9 B-dur op. 7 Nr. 3
7. Allegro
8. Adagio
9. Spiritoso
10. Menuet
Orgelkonzert Nr. 10 d-moll op. 7 Nr. 4
11. Adagio
12. Allegro
13. Andante
14. Allegro
Orgelkonzert Nr. 12 B-dur op. 7 Nr. 6
15. Pomposo
16. Adagio
17. Fuga. Allegro
18. A tempo ordinario
Organist Daniel Chorzempa studied at the University of Minnesota from 1955-1965, then at the Staatliche Musikhochschule in Cologne before returning to Minnesota to complete his Ph.D. in 1971. He began his career as a pianist, first in Hamburg and Cologne in 1969, then in Oxford and London in 1970 and 1971; however, it was his debut as an organist in London in 1969 that gained him critical acclaim.
Chorzempa's fluent, pianistic technique has allowed him to tackle some of the more virtuosic organ works, particularly those of Liszt and Reubke. It is also his background as a pianist that has led him to make a point of playing from memory, which is rare among organists, and at one time caused something of a sensation at his recitals. His recordings, in addition to the great nineteenth century virtuoso works, also encompass many of the traditional works by Bach. Since 1970, Chorzempa has been a member of the Studio fur Elektronische Musik, Cologne, where he remains active as a composer of electronic music. -- Steven Coburn
Chorzempa's fluent, pianistic technique has allowed him to tackle some of the more virtuosic organ works, particularly those of Liszt and Reubke. It is also his background as a pianist that has led him to make a point of playing from memory, which is rare among organists, and at one time caused something of a sensation at his recitals. His recordings, in addition to the great nineteenth century virtuoso works, also encompass many of the traditional works by Bach. Since 1970, Chorzempa has been a member of the Studio fur Elektronische Musik, Cologne, where he remains active as a composer of electronic music. -- Steven Coburn
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