Markus Maskuniitty - Schumann, Saint-Saëns & Glière: Works for Horn & Orchestra (2019)

Artist: Markus Maskuniitty
Title: Schumann, Saint-Saëns & Glière: Works for Horn & Orchestra
Year Of Release: 2019
Label: Ondine
Genre: Classical
Quality: FLAC (tracks+booklet)
Total Time: 59:04 min
Total Size: 278 MB
WebSite: Album Preview
Tracklist:Title: Schumann, Saint-Saëns & Glière: Works for Horn & Orchestra
Year Of Release: 2019
Label: Ondine
Genre: Classical
Quality: FLAC (tracks+booklet)
Total Time: 59:04 min
Total Size: 278 MB
WebSite: Album Preview
01. Konzertstück for 4 Horns & Orchestra, Op. 86: : I. Lebhaft
02. Konzertstück for 4 Horns & Orchestra, Op. 86: II. Romanze. Ziemlich langsam
03. Konzertstück for 4 Horns & Orchestra, Op. 86: III. Sehr lebhaft
04. Adagio & Allegro, Op. 70 (Orch. E. Ansermet): I. Adagio
05. Adagio & Allegro, Op. 70 (Orch. E. Ansermet): II. Allegro
06. Morceau de concert, Op. 94 (Version for Horn & Orchestra): I. Allegro moderato
07. Morceau de concert, Op. 94 (Version for Horn & Orchestra): II. Adagio
08. Morceau de concert, Op. 94 (Version for Horn & Orchestra): III. Allegro non troppo
09. Horn Concerto in B-Flat Major, Op. 91: I. Allegro
10. Horn Concerto in B-Flat Major, Op. 91: II. Andante
11. Horn Concerto in B-Flat Major, Op. 91: III. Moderato
Markus Maskuniitty’s debut recording together with the Royal Stockholm Philharmonic Orchestra and its chief conductor Sakari Oramo, showcases four concertante works for horn and orchestra covering a period of one hundred years (from 1849 to 1951). Robert Schumann described the horn as the ‘soul of the orchestra’ and he had a profound affinity with the instrument. The most substantial of Schumann’s works featuring the horn is the Konzertstück for four horns and orchestra, op.86. Schumann considered the work as one of his best achievements as a composer. During 1849, Schumann wrote a total of three works featuring the valve horn. The Adagio and Allegro for horn and piano, Op. 70 may be considered a precursor to the Konzertstück and is a central work in the Romantic horn repertoire. This recording includes an orchestration by conductor Ernest Ansermet. Camille Saint-Saëns wrote a large number of concertante works, including a masterfully crafted concert piece for horn and orchestra in 1887. It highlights Saint-Saëns’s mature skills in orchestral writing and as a composer of solo instrumental music. The final piece of the recording is Reinhold Glière’s Horn Concerto. Completed in 1951, it was the composer’s swansong. In this romantic concerto one can hear echoes of Tchaikovsky and other great masters of Russian classical music.