Didier Castell-Jacomin, Vienna Chamber Symphony Quintet - Mozart: Piano Concertos Nos. 8 and 23 & Die Zauberflöte (Excerpts Arr. for Chamber Ensemble) (2019) [Hi-Res]

Artist: Didier Castell-Jacomin, Vienna Chamber Symphony Quintet
Title: Mozart: Piano Concertos Nos. 8 and 23 & Die Zauberflöte (Excerpts Arr. for Chamber Ensemble)
Year Of Release: 2019
Label: Naxos
Genre: Classical
Quality: flac 24bits - 96.0kHz +Booklet
Total Time: 01:11:42
Total Size: 1.3 gb
WebSite: Album Preview
TracklistTitle: Mozart: Piano Concertos Nos. 8 and 23 & Die Zauberflöte (Excerpts Arr. for Chamber Ensemble)
Year Of Release: 2019
Label: Naxos
Genre: Classical
Quality: flac 24bits - 96.0kHz +Booklet
Total Time: 01:11:42
Total Size: 1.3 gb
WebSite: Album Preview
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01. Piano Concerto No. 23 in A Major, K. 488 (Arr. I. Lachner for Piano & Strings): I. Allegro
02. Piano Concerto No. 23 in A Major, K. 488 (Arr. I. Lachner for Piano & Strings): II. Adagio
03. Piano Concerto No. 23 in A Major, K. 488 (Arr. I. Lachner for Piano & Strings): III. Allegro assai
04. Die Zauberflöte, K. 620 (Excerpts) [Arr. for Strings]: Overture
05. Die Zauberflöte, K. 620 (Excerpts) [Arr. for Strings]: Zu Hilfe, zu Hilfe!
06. Die Zauberflöte, K. 620 (Excerpts) [Arr. for Strings]: Bei Männern, welche Liebe fühlen
07. Die Zauberflöte, K. 620 (Excerpts) [Arr. for Strings] :Der Hölle Rache kocht in meinem Herzen
08. Die Zauberflöte, K. 620 (Excerpts) [Arr. for Strings]: Pa-Pa-Pa-Papageno
09. Piano Concerto No. 8 in C Major, K. 246 "Lützow" (Arr. I. Lachner for Piano & Strings): I. Allegro aperto
10. Piano Concerto No. 8 in C Major, K. 246 "Lützow" (Arr. I. Lachner for Piano & Strings) II. Andante
11. Piano Concerto No. 8 in C Major, K. 246 "Lützow" (Arr. I. Lachner for Piano & Strings): III. Rondeau. Tempo di menuetto
So greatly did Ignaz Lachner venerate Mozart that he arranged twelve of the 27 piano concertos for performance by small ensembles. Lachner, who had known Schubert in Vienna and had met Beethoven, was superbly equipped for these arrangements ensuring that the string quintet of soloists, with the double bass largely doubling the cello role, sounds thoroughly idiomatic. The three selected works represent the different sized orchestras Mozart employed, K. 246 being the most lightly scored, and K. 488 the most complex. The anonymous arrangement of excerpts from Die Zauberflöte proves equally vital and attractive.