Ches Smith & These Arches - Hammered (2013) FLAC
Artist: Ches Smith & These Arches
Title: Hammered
Year Of Release: 2013
Label: Clean Feed
Genre: Avant-garde Jazz
Quality: FLAC (tracks+.cue, log)
Total Time: 50:37
Total Size: 338 MB
WebSite: Album Preview
Tracklist: Title: Hammered
Year Of Release: 2013
Label: Clean Feed
Genre: Avant-garde Jazz
Quality: FLAC (tracks+.cue, log)
Total Time: 50:37
Total Size: 338 MB
WebSite: Album Preview
01. Frisner (7:19)
02. Wilson Phillip (7:22)
03. Dead Battery (6:43)
04. Hammered (7:45)
05. Limitations (2:08)
06. Learned From Jamie Stewart (4:26)
07. Animal Collection (6:28)
08. This Might be a Fade Out (8:27)
Drummer, composer, and bandleader Ches Smith is an artist with indisputable abilities who thrives on the fringes whether supplying tight rhythms for notable musicians such as guitarist Marc Ribot, saxophonist Darius Jones, and the indie rock band Xiu Xiu, or creating self-produced works like his solo multi-instrumental electronic project Psycho Predictions (Preposterous Bee,2012).
One of Smith's working bands is These Arches, a group of like-minded artists that provide plenty of forward thinking music in Hammered, the appropriately titled follow-up to 2010's Finally Out Of My Hands(Skirl Records). From start to finish, Smith's eight "tunes" deliver a sonic maelstrom of tonal contours and interchanging themes which are filled with intensity and chaotic movements.
Heavyweights Tony Malaby and Tim Berne express their saxophones in a variety of screeches, growls, and piercing runs on the opener "Frisner" and the title track where Smith's free-jazz/ rock attitude is in full bloom. Its "garage band" appeal is thick with a stomping backbeat, an array of cool effects from guitarist Mary Halvorson and Andrea Parkins's rustic accordion intonations.
One of Smith's working bands is These Arches, a group of like-minded artists that provide plenty of forward thinking music in Hammered, the appropriately titled follow-up to 2010's Finally Out Of My Hands(Skirl Records). From start to finish, Smith's eight "tunes" deliver a sonic maelstrom of tonal contours and interchanging themes which are filled with intensity and chaotic movements.
Heavyweights Tony Malaby and Tim Berne express their saxophones in a variety of screeches, growls, and piercing runs on the opener "Frisner" and the title track where Smith's free-jazz/ rock attitude is in full bloom. Its "garage band" appeal is thick with a stomping backbeat, an array of cool effects from guitarist Mary Halvorson and Andrea Parkins's rustic accordion intonations.