James Johnstone - J.S. Bach: Clavier-Ubung III (2016)
Artist: James Johnstone
Title: J.S. Bach: Clavier-Ubung III
Year Of Release: 2016
Label: Metronome
Genre: Classical
Quality: FLAC (image+.cue,log,scans)
Total Time: 01:47:26
Total Size: 525 Mb
WebSite: Album Preview
Tracklist: Title: J.S. Bach: Clavier-Ubung III
Year Of Release: 2016
Label: Metronome
Genre: Classical
Quality: FLAC (image+.cue,log,scans)
Total Time: 01:47:26
Total Size: 525 Mb
WebSite: Album Preview
CD 1
1. Praeludium Pro Organo Pleno, BWV552i
2. Kyrie, Gott Vater in Ewigkeit, BWV669
3. Christe, Aller Welt Trost, BWV670
4. Kyrie, Gott Heiliger Geist, BWV671
5. Kyrie, Gott Vater in Ewigkeit, BWV672
6. Christe, Aller Welt Trost, BWV673
7. Kyrie, Gott Heiliger Geist, BWV674
8. Allein Gott in Der Höh Sei Ehr, BWV675
9. Allein Gott in Der Höh Sei Ehr, BWV676
10. Fughetta Super Allein Gott in Der Höh Sei Ehr, BWV677
11. Dies Sind Die Heiligen Zehen Gebot, BWV678
12. Fughetta Super Dies Sind Die Heiligen Zehen Gebot, BWV679
13. Wir Gläuben All an Einen Gott, BWV680
CD 2
1. Fughetta Super Wir Gläuben All an Einen Gott, BWV681
2. Vater Unser Im Himmelreich, BWV682
3. Vater Unser Im Himmelreich, BWV683
4. Christ, Unser Herr, Zum Jordan Kam, BWV684
5. Christ, Unser Herr, Zum Jordan Kam, BWV685
6. Aus Tiefer Not Schrei Ich Zu Dir, BWV686
7. Aus Tiefer Not Schrei Ich Zu Dir, BWV687
8. Jesus Christus, Unser Heiland, BWV688
9. Fuga Super Jesus Christus, Unser Heiland, BWV689
10. Duetto I, BWV802
11. Duetto II, BWV803
12. Duetto III, BWV804
13. Duetto IV, BWV805
14. Fuga a 5 Pro Organo Pleno, BWV552ii
Performers:
James Johnstone (Joachim Wagner organ 1739-41 Nidaros Cathedral, Trondheim)
Clavier-Übung Part III (pub 1739) is one of the great organ collections in Bach’s musical legacy. James Johnstone’s survey of his organ works begins with a performance on an instrument of German origin exactly contemporary with the music’s publication - the 1739-41 Joachim Wagner organ of Trondheim Cathedral.
«James Johnstone thrusts us almost immediately from the opening Prelude into a bright world of urgent theatricality and rhythmic momentum…balanced by Johnstone’s fine ear for juxtaposing ‘period’ colour with ‘à la mode’ Baroque rhetoric and timing; this is not just fine organ-playing but top-drawer keyboard-playing from a musician who, when in the loft, thinks as a harpsichordist»
«James Johnstone thrusts us almost immediately from the opening Prelude into a bright world of urgent theatricality and rhythmic momentum…balanced by Johnstone’s fine ear for juxtaposing ‘period’ colour with ‘à la mode’ Baroque rhetoric and timing; this is not just fine organ-playing but top-drawer keyboard-playing from a musician who, when in the loft, thinks as a harpsichordist»
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