David Bromberg - Live New York City 1982 (2008)
Artist: David Bromberg
Title: Live New York City 1982
Year Of Release: 2008
Label: 01:10:52
Genre: Folk, Country, Bluegrass, Blues
Quality: Mp3 320 / Flac (tracks)
Total Time: 01:10:52
Total Size: 173/510 Mb
WebSite: Album Preview
Title: Live New York City 1982
Year Of Release: 2008
Label: 01:10:52
Genre: Folk, Country, Bluegrass, Blues
Quality: Mp3 320 / Flac (tracks)
Total Time: 01:10:52
Total Size: 173/510 Mb
WebSite: Album Preview
Tracklist:
01. Don't Let Your Deal Go Down Medley Inc: Red Apple Rag/blackberry Blossom/turkey In The Straw/dixie Hoedown/bill Cheatem/june Apple
02. Wallflower
03. Stay All Night
04. Ookpik Waltz
05. When I Was A Cowboy
06. Dark Hollow
07. The Creeper's Blues
08. Midnight Hour Blues
09. Sally Gooden/old Joe Clark/wheel Hoss (Medley)
10. On Our Last Date
11. Fairfax County
12. New Lee Highway Blues
13. Workin' On A Building
David Bromberg was already past his peak as a popular attraction by the time this live recording was made in 1982, but his musicianly prowess was no less diminished. Whether on acoustic guitar, fiddle, or mandolin, Bromberg was technically proficient and often quite dazzling as he navigated his way around various traditional bluegrass, folk, country, and blues tunes, Bob Dylan's "Wallflower" and one original, "The New Lee Highway Blues." A listen to this ambiguously titled disc -- nowhere does it say exactly where in New York City or when in 1982 the live performance took place -- confirms repeatedly that Bromberg was a whiz as an instrumentalist. As a vocalist, less so, but his coterie of loyalists never held that against him, and there is a charm to his ragged singing that befits the down-home-ness of the pickin'. On uptempo tunes like the lengthy "Don't Let Your Deal Go Down" opener (extended via an inserted medley of fiddle tunes) and the old Bob Wills favorite "Stay All Night," and on the slow blues numbers, Bromberg and his three support players (wielding various acoustic-stringed instruments) keep the level of virtuosity high. Unfortunately, the sound mix is painfully off-center during that opener and takes a while to find the proper balance, and other tracks could have benefited from some judicious editing when Bromberg's spoken intros ramble on just tad too long. Nonetheless, it's a representative slice of what fans would have heard at a Bromberg show during this period, several years before he took a long sabbatical from making music to become a violin craftsman.