Geoffroy Couteau, François-Frédéric Guy - L’obscur est un chemin (2015) [Hi-Res]

Tracklist
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01. Ce peu de bruit
02. Ses ailes déployées
03. Étoiles, Trois préludes pour piano: No. 1-Andante
04. Étoiles, Trois préludes pour piano: No. 2-Presto
05. Étoiles, Trois préludes pour piano: No. 3-Lento
06. L'obscur est un chemin
07. Catafalque : Tombeau de Johannes Brahms
08. Miracles des Soleils, Trois préludes pour piano: No. 1-Andante
09. Miracles des Soleils, Trois préludes pour piano: No. 2-Moderato
10. Miracles des Soleils, Trois préludes pour piano: No. 3-Lento
11. El Borge pour 2 pianos: I.- El Borge
12. El Borge, pour 2 pianos: II. Comares
13. El Borge, pour 2 pianos: III. Gaucin
14. El Borge, pour 2 pianos: IV. Ronda
15. El Borge, pour 2 pianos: V. Alhama de Granada

French pianist Geoffroy Couteau presents the music of Rodolphe Bruneau-Boulmier, a young and vibrant Parisian composer whose music is immediately appealing and who enchants his listeners with his immersive soundscapes.

Bruneau-Boulmier’s pieces range from the meditative and serene to turbulent and occasionally even violent. Frequent references to literary themes offer openings to his ineffable and poetic imagination. Most of all, one is taken in by a pervasive sense of nostalgia. Bells, sometimes promising joy, sometimes sounding like a knell, punctuate the journey. Geoffroy Couteau, who has collaborated with the composer since 2010, offers a sensitive and intimate performance of these works, here presented for the first time on disc. He is joined by world-renowned pianist, François-Frédéric Guy, who makes a guest appearance on the four-hand piece, ‘El Borge’.

The title of the fourth work, ‘Dark is a Way’, sets the tone and the theme of the album: it is a path which takes us from something like the sombre “gibet” of Ravel’s ‘Gaspard’, and delivers us to, if not an absolute transcendence, at least a wise sense of calm acceptance with recurring rays of hope.

Praising his debut recording dedicated to Brahms, Geoffroy Couteau was described as a “fearless” pianist by Le Monde de la Musique, which compared the young artist’s interpretation to piano giants such as Gilels, Katchen, Lupu, Kempff, and Serkin. Regularly exalted in the press among his emerging generation of pianists, his last CD devoted to Chopin and Scriabin also garnered enthusiastic critical acclaim.

Born in 1982, Rodolphe Bruneau-Boulmier could still be considered as a “young composer” at the time of this recording. Nicolas Southon comments: “Even in these early works he was able to create a very personal musical universe, while not trying to hide his musical roots. One can find at times traces of Debussy, Ravel, Henri Dutilleux, Philippe Hersant, Maurice Ohana and Pierre Boulez. His music is incontestably French, by virtue of its refinement, its quest for a certain euphony, its extremely well crafted writing, its self-restrained lyricism and its skilful ability to make an acoustic space come into being.”

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