Heron - Heron (Korean Remastered, Bonus Tracks) (1970/1995)
Artist: Heron
Title: Heron
Year Of Release: 1970/1995
Label: Si-Wan Records
Genre: Folk Rock
Quality: Mp3 320 / Flac (image, .cue, log)
Total Time: 01:11:16
Total Size: 180/418 Mb (scans)
WebSite: Album Preview
Title: Heron
Year Of Release: 1970/1995
Label: Si-Wan Records
Genre: Folk Rock
Quality: Mp3 320 / Flac (image, .cue, log)
Total Time: 01:11:16
Total Size: 180/418 Mb (scans)
WebSite: Album Preview
Tracklist:
01. Yellow Roses
02. Car Crash
03. Harlequin
04. Smiling Ladies
05. Little Boy
06. Sally Goodin
07. Upor Reflection
08. Lord And Master
09. Little Angel
10. Goodbye
11. For You
12. Sally Goodin
13. Carnival And Penitence
Bonus Tracks:
14. Only A Hobo
15. John Brown
16. Wanderer
17. The Great Dust Storm
18. Minstrel And A King
19. Winter Harlequin
20. Love 13
Heron's self-titled debut LP was mild, drummerless British folk-rock with the rural/pastoral feel common to many early-'70s records in the style. That pastoral feel, in this particular case, might have been in part deliberate; the record was actually recorded in a field by the River Thames, and though the sound quality is very good, you can occasionally hear some birds and faint ambient outdoor noises.
The music is very friendly, acoustic guitar-based stuff that, as improbable as such a blend may seem, is a little like a combination of Simon & Garfunkel with the Incredible String Band, though there aren't many of the weirder elements of the latter. You might also cite the most acoustic and folky Paul McCartney ballads of the late '60s and early '70s (à la "Blackbird") and the harmonies of Crosby, Stills and Nash as less prominent influences. Some organ, piano, and accordion add a little depth to what's essentially an acoustic folk base.
In common with a lot of records with obvious points of comparison to famous acts, however, the songs themselves aren't nearly as distinguished as those of the artists mentioned earlier in this review. That doesn't mean it's without its pluses, however. It's a fresh and youthful, if naïve, effort, with "Upon Reflection" being both the most memorable track and the one that is most reminiscent of early Simon & Garfunkel.
by Richie Unterberger
The music is very friendly, acoustic guitar-based stuff that, as improbable as such a blend may seem, is a little like a combination of Simon & Garfunkel with the Incredible String Band, though there aren't many of the weirder elements of the latter. You might also cite the most acoustic and folky Paul McCartney ballads of the late '60s and early '70s (à la "Blackbird") and the harmonies of Crosby, Stills and Nash as less prominent influences. Some organ, piano, and accordion add a little depth to what's essentially an acoustic folk base.
In common with a lot of records with obvious points of comparison to famous acts, however, the songs themselves aren't nearly as distinguished as those of the artists mentioned earlier in this review. That doesn't mean it's without its pluses, however. It's a fresh and youthful, if naïve, effort, with "Upon Reflection" being both the most memorable track and the one that is most reminiscent of early Simon & Garfunkel.
by Richie Unterberger