Marion Treupel-Franck & Marie-Céline Labbé - Fil d'argent, fil d'or (2015) [Hi-Res]

Tracklist
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01. Petitte brunette aux yeux doux
02. Suite No. 1 in G Minor, Op. 1: I. Très lentement
03. Suite No. 1 in G Minor, Op. 1: II. Rigaudon en rondeau
04. Suite No. 1 in G Minor, Op. 1: III. Courante en contrefaiseur
05. Suite No. 1 in G Minor, Op. 1: IV. Fugue
06. Les près, les bois
07. Suite No. 2 in G Major, Op. 1: I. Fugue
08. Suite No. 2 in G Major, Op. 1: II. Air en rondeau. Gayment
09. Suite No. 2 in G Major, Op. 1: III. Sarabande
10. Suite No. 2 in G Major, Op. 1: IV. Fugue
11. J'ay passé deux jours sans vous voir
12. Suite No. 3 in D Major, Op. 1: I. Lentement
13. Suite No. 3 in D Major, Op. 1: II. Fugue
14. Suite No. 3 in D Major, Op. 1: III. Rondeau
15. Suite No. 3 in D Major, Op. 1: IV. Chaconne
16. Lisette aime son berger
17. Suite No. 7 in B Minor, Op. 2: I. Sarabande. Très proprement
18. Suite No. 7 in B Minor, Op. 2: II. Allemande. Lentement
19. Suite No. 7 in B Minor, Op. 2: III. Gayment
20. Suite No. 7 in B Minor, Op. 2: IV. Rondeau. Légèrement et affectueusement
21. Assis sur l'herbette
22. Iris aux bords de Seine
23. Quelque puisse estre un amant
24. La bergere Annette
25. Suite No. 8 in A Minor and A Major, Op. 2: I. Affectueusement
26. Suite No. 8 in A Minor and A Major, Op. 2: II. Fugue. Gayment, et point trop viste
27. Suite No. 8 in A Minor and A Major, Op. 2: III. Lentement, gracieusement et piqué
28. Suite No. 8 in A Minor and A Major, Op. 2: IV. Allemande
29. L'amant le plus fidele
30. Suite No. 11 in E Minor, Op. 3: I. Rondeau en contrefaiseurs. Lentement
31. Suite No. 11 in E Minor, Op. 3: II. Allemande. Un peu gay
32. Suite No. 11 in E Minor, Op. 3: III. Air en sarabande. Tendrement
33. Suite No. 11 in E Minor, Op. 3: IV. Gavotte
34. Suite No. 11 in E Minor, Op. 3: V. Fugue. Pas trop viste
35. Vous estes trop inhumaine

For this second recording devoted to French Baroque music for two solo transverse flutes, Marie-Céline Labbé and Marion Treupel-Franck perform the six suites by Pierre Danican Philidor (1681-1731), pieces taken from the three collections published by the composer in Paris in 1717 and 1718. Written in a highly original style in which one senses the spirit of freedom blowing over Versailles and France during the regency of the Duke d’Orléans, these short suites, in addition to the principal dances in vogue at the court of Versailles in the early 18th century, each comprise a fugue.

A few brunettes by Michel Pignolet de Montéclair (1667-1737) round out the programme. The brunette, a little rustic song with an evocative title, was a musical genre quite popular in the late 17th and early 18th centuries. The selection proposed here will enable the listener to discover another facet of the work of Montéclair, the composer who was the object of the two flautists’ first recording.

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