Anita O'Day - Four Classic Albums (2008)

15 May, 17:06
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Artist: Anita O'Day
Title: Four Classic Albums
Year Of Release: 2008
Label: Avid Entertainment
Genre: Vocal Jazz
Quality: FLAC (tracks+.cue,log) / MP3 320 Kbps
Total Time: 02:27:14
Total Size: 526 Mb / 370 Mb
WebSite: Album Preview

Tracklist:

CD 1:
Anita Sings the Most (1957)
01. Medley
02. Tenderly
03. Old Devil Moon
04. Love Me Or Leave Me
05. We'll Be Together Again
06. Stella By Starlight
07. Taking A Chance On Love
08. Them There Eyes
09. I've Got The World On A String
10. You Turned The Tables On Me
11. Bewitched, Bothered And Bewildered
The Lady is a Tramp (1952)
12. Rock 'N' Roll Blues
13. Love For Sale
14. Lullaby Of The Leaves
15. Lover Come Back To Me
16. No Soap, No Hope Blues
17. Speak Low
18. Pagan Love Song
19. Ain't This A Wonderful Day
20. Somebody's Crying
21. Vaya Con Dios
22. The Lady Is A Tramp
23. Strawberry Moon

CD 2:
An Evening with Anita O'Day (1954)
01. Just One Of Those Things
02. Gypsy In My Soul
03. The Man I Love
04. Frankie And Johnny
05. Anita's Blues
06. I Cover The Waterfront
07. You're Getting To Be A Habit With Me
08. From This Moment On
09. You Don't Know What Love Is
10. Medley
11. I Didn't Know What Time It Was
12. Let's Fall In Love
Anita (1955)
13. You're The Top
14. Honeysuckle Rose
15. A Nightingale Sang In Berkeley Square
16. Who Cares?
17. I Can't Get Started
18. Fine And Dandy
19. As Long As I Live
20. No Moon At All
21. Time After Time
22. I'll See You In My Dreams
23. I Fall In Love Too Easily
24. Beautiful Love

Few female singers matched the hard-swinging and equally hard-living Anita O'Day for sheer exuberance and talent in all areas of jazz vocals. Though three or four outshone her in pure quality of voice, her splendid improvising, wide dynamic tone, and innate sense of rhythm made her the most enjoyable singer of the age. O'Day's first appearances in a big band shattered the traditional image of a demure female vocalist by swinging just as hard as the other musicians on the bandstand, best heard on her vocal trading with Roy Eldridge on the Gene Krupa recording "Let Me Off Uptown." After making her solo debut in the mid-'40s, she incorporated bop modernism into her vocals and recorded over a dozen of the best vocal LPs of the era for Verve during the 1950s and '60s. Though hampered during her peak period by heavy drinking and later, drug addiction, she made a comeback and continued singing into the new millennium.

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