Sarah Wegener and Götz Payer - ...into the deepest Sea! (2017) [Hi-Res]

Tracklist
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01. Lieder und Gesänge, Op. 63: V. Meine Liebe ist grün
02. Lieder und Gesänge von G. F. Daumer , Op. 57: II. Wenn Du nur zuweilen lächelst
03. Lieder und Gesänge von G. F. Daumer , Op. 57: IV. Ach wende diesen Blick
04. 49 Deutsche Volkslieder, WoO 33: VI. Da unten im Tale
05. Vier Gesänge, Op. 43: II. Mainacht
06. Lieder und Gesänge von G. F. Daumer , Op. 57: III. Es träumte mir
07. Sechs Gesänge, Op. 3: I. Liebestreu
08. Sechs Gesänge, Op. 7: I. Treue Lilebe
09. Lieder und Gesänge, Op. 72: IV. Verzagen
10. Des Mädhens Klage, D. 191
11. Erster Verlust, D. 226
12. Du liebst mich nicht, D. 765
13. Der Zwerg, D. 771
14. Five Songs, Op. 37: IV. Var det en dröm
15. Six Songs, Op. 36: IV. Säv, säv Susa
16. Songs by Hans Christian Anderson, Op. 5: III. Jeg elsker Dig
17. Peer Gynt, Op. 23: XIX. Solveigs Sang
18. The Seal Man
19. A Dream
20. Three Songs, Op. 3: II. Now Sleeps the Crimson Petal
21. Come to Me in My Dreams, H. 71
22. Acht Gedichte Von Herrmann Von Gilm, Op. 10: VIII. Allerseelen
23. Sechs Lieder von A.F. Schack, Op. 17: I. Seitdem dein Aug' in meines schaute
24. Sechs Lieder nach Gedichten von Clemens Brentano: I. An die Nacht

Brilliant soprano Sarah Wegener writes of this new release, her first Solo Recital- “In this day and age, why another [album] featuring art song? From different sources we hear that art song is going through a crisis, and that the traditional vocal recital format lacks an audience and is no longer up-to-date. Many people seem to regard the Lied genre as elitist, musty and outmoded. How can one explain this? The act of singing, in itself, cannot be the problem. People are fortunately still singing in many different contexts and venues: in nurseries, schools, choirs, in the shower, and in television contests. What comes more naturally to a human being than singing songs? Perhaps we should avoid terms such as “Lied” and “art song.” They might sound too artificial. Perhaps the supposed lack of interest has to do with the texts, which are sometimes more than two centuries old…Nevertheless, for us the answer is clear: these songs and texts have lost nothing of their current relevance… “

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