The Undertakers - Unearthed (Reissue) (1963-65/1996)
Artist: The Undertakers
Title: Unearthed
Year Of Release: 1963-65/1996
Label: Big Beat Records
Genre: Pop Rock, British Invasion
Quality: APE (image, .cue, log)
Total Time: 49:56
Total Size: 160 Mb
WebSite: Album Preview
Title: Unearthed
Year Of Release: 1963-65/1996
Label: Big Beat Records
Genre: Pop Rock, British Invasion
Quality: APE (image, .cue, log)
Total Time: 49:56
Total Size: 160 Mb
WebSite: Album Preview
Tracklist:
01. (Do The) Mashed Potatoes
02. Everybody Loves A Lover
03. Money (That's What I Want)
04. What About Us
05. Just A Little Bit
06. Stupidity
07. If You Don't Come Back
08. Think
09. Be My Little Girl
10. She Said Yeah
12. Tell Me What You're Gonna Do
13. Tricky Dicky
14. Irresistible You
15. Love Is A Swingin' Thing
16. Hey-Hey-Hey-Hey!
17. You're So Fine And Sweet
18. Leave My Kitten Alone
19. Watch Your Step
20. Throw Your Love Away Girl
21. I Fell In Love
Line-up::
THE UNDERTAKERS were
CHRIS HUSTON lead guitar
BRIAN JONES sax, vocals
JACKIE LOMAX vocals, bass
GEOFF NUGENT guitar, vocals
BUGS PEMBERTON drums
Twenty-one sides left behind by the Undertakers, and there's not a bad song in the bunch. The first eight sides comprise their Pye Records singles, and these are pretty sharp -- this band was one of the few in England of that era that found a balance between the sax and the guitars, and melded American R&B with a thumping Merseybeat sound without coming across as either artificial or hopelessly primitive. "If You Don't Come Back" is one of the best recordings in the whole Pye catalog, even if it did herald the band's departure. Then there's the American recorded stuff, which is in a class by itself -- the Undertakers were leaner with just one guitar, and their sound is tighter, giving Lomax more room to stretch out vocally. The result is a dozen killer tracks on what ought to have been one of the great mid-1960s R&B albums by any British group; this stuff rivals The Beatles' Second Album or the My Generation album by the Who. The pity is that the band never got to follow it up -- they still had slight vestiges of that thumping Merseybeat sound, muted by the absence of a heavy rhythm guitar, and where they would have gone from here makes for fascinating speculation (one longs to hear the Lost Souls album). It's also easy to understand, after hearing this material, why George Harrison was so eager to bring Lomax to Apple.