Dr. John - Anytime, Anyplac (Reissue) (1974/2009)
Artist: Dr. John
Title: Anytime, Anyplac
Year Of Release: 1974/2009
Label: Lilith
Genre: Cajun, Bayou Funk, Classic Rock, Soul, Psychedelic
Quality: Mp3 320 / Flac (tracks, .cue, log)
Total Time: 48:16
Total Size: 117/287 Mb
WebSite: Album Preview
Tracklist:Title: Anytime, Anyplac
Year Of Release: 1974/2009
Label: Lilith
Genre: Cajun, Bayou Funk, Classic Rock, Soul, Psychedelic
Quality: Mp3 320 / Flac (tracks, .cue, log)
Total Time: 48:16
Total Size: 117/287 Mb
WebSite: Album Preview
01. Woman Is The Root Of All Evil
02. Shoo Ra
03. Tipitina
04. One Night Tale
05. A Little Closer To My Home
06. Go Ahead On
07. Make Your Own
08. Mama Roux
09. She's Just a Square
10. Bald Headed
11. In The Night
12. Helping Hand
13. Mean Cheatin'Woman
14. The Ear Is On Strike
15. I Pulled The Cover off You Two Lovers
16. Dis She Mention My Name
Malcolm John Rebennack (born November 20, 1941, New Orleans, Louisiana, USA – died June 6, 2019), better known by his stage name Dr. John, was an American singer and songwriter. His music combines blues, pop, jazz, boogie woogie and rock and roll.
Rebennack began playing the piano at the age of six and, as he grew up, he became strongly influenced by the style of Roy Byrd (aka Professor Longhair). He immersed himself in the music and voodoo cultures of New Orleans, where he became known as Mac Rebennack, playing the organ in strip-clubs with 'make-up' bands in the French Quarter.
However, it was as a session guitarist with John Vincent's Ace Records that gave him his first break, around1957. He worked with the New Orleans R&B session crew at Crescent City's 'Cosimo V. Matassa' studio and with an 'All For One' co-operative formed by Harold Battiste- cutting "Storm Warning" (Rex, 1957) and albums on Ace, Rex and AFO (an acronym of All For One) .
Rebennack then moved to California in 1962 with Battiste's crew, where they played on Sam Cooke's final recording session. Rebennack subsequently undertook a lot of session work around LA (appearing briefly for a "Freak Out!" album session with Frank Zappa) and developed his 'Mardi Gras' persona of "Dr. John Creaux, The Night Tripper" with Battiste's help, assembling the "Gris-Gris" album whilst sessioning for Sonny & Cher.
His drawled and ponderous style, tinged with a husky Southern Comfort delivery, caught the mood of the moment upon the album's release in 1968 giving him the commercial freedom to explore the many facets of the Louisiana blues and Memphis funk cultures in following releases. His recordings have been supported by such alumni as Clapton, Jagger, Allen Toussaint, The Meters, Jerry Wexler and Mike Bloomfield. He had a top-ten hit with "Right Place, Wrong Time", and he appeared in the Martin Scorsese film The Last Waltz (1978).
Rebennack began playing the piano at the age of six and, as he grew up, he became strongly influenced by the style of Roy Byrd (aka Professor Longhair). He immersed himself in the music and voodoo cultures of New Orleans, where he became known as Mac Rebennack, playing the organ in strip-clubs with 'make-up' bands in the French Quarter.
However, it was as a session guitarist with John Vincent's Ace Records that gave him his first break, around1957. He worked with the New Orleans R&B session crew at Crescent City's 'Cosimo V. Matassa' studio and with an 'All For One' co-operative formed by Harold Battiste- cutting "Storm Warning" (Rex, 1957) and albums on Ace, Rex and AFO (an acronym of All For One) .
Rebennack then moved to California in 1962 with Battiste's crew, where they played on Sam Cooke's final recording session. Rebennack subsequently undertook a lot of session work around LA (appearing briefly for a "Freak Out!" album session with Frank Zappa) and developed his 'Mardi Gras' persona of "Dr. John Creaux, The Night Tripper" with Battiste's help, assembling the "Gris-Gris" album whilst sessioning for Sonny & Cher.
His drawled and ponderous style, tinged with a husky Southern Comfort delivery, caught the mood of the moment upon the album's release in 1968 giving him the commercial freedom to explore the many facets of the Louisiana blues and Memphis funk cultures in following releases. His recordings have been supported by such alumni as Clapton, Jagger, Allen Toussaint, The Meters, Jerry Wexler and Mike Bloomfield. He had a top-ten hit with "Right Place, Wrong Time", and he appeared in the Martin Scorsese film The Last Waltz (1978).