Eliza Carthy & Nancy Kerr - Eliza Carthy & Nancy Kerr (1993) Lossless

  • 24 Jun, 20:37
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Artist:
Title: Eliza Carthy & Nancy Kerr
Year Of Release: 1993
Label: Mrs Casey Records
Genre: English Folk
Quality: Flac (tracks, .cue, log)
Total Time: 57:02
Total Size: 304 Mb
WebSite:

Tracklist:

01. Waterloo Fair (The Henryco)/Speed the Plough (5:13)
02. Lucy's Waltz/Liza's Favourite (4:50)
03. Alistair's (2:29)
04. The Unquiet Grave (3:00)
05. The March of the Kings of Laiose (5:33)
06. An Old Man Came Courting (5:57)
07. Swedish Wedding March (3:12)
08. Whittingham Fair/For Whittingham Fair (5:56)
09. Bushes & Briars (2:50)
10. Tune (3:17)
11. The Wrong Favour (5:52)
12. Prague/Polly Bishop's Slip Jig/The Storyteller (7:40)
13. Black & White Rag (1:14)

Line-up::
Eliza Carthy - fiddle, guitar, vocal
Nancy Kerr - fiddle, vocal
Daniel Wood - piano keyboard (#2,12)
#13:
Nancy - spoons, raspberries, vocals
Liza - cheesegrater, bottle 1998 Pinot Noir, fiddle back, Munchkin noises
Adrian L'Amour - chest, potato masher, glass, rhythm egg, loudest “ra!
Daniel DeVine - “Delicious” pizza box, knives, sellotape
Ray “Riah” Williams - Portuguese Adufe, silent trombone

Celebrated as part of a new breed of young musicians returning to their roots, fiddlers Eliza Carthy and Nancy Kerr were both 18 when they appeared on the cover of the UK’s Folk Roots magazine. Kerr’s father was a Northumbrian piper while her mother, Sandra Kerr, is a celebrated singer-songwriter who has worked extensively with Ewan MacColl. Carthy too, has famous parentage, being the daughter of Martin Carthy and Norma Waterson (of the Watersons). Prior to the duo’s debut album Carthy and Kerr had only been acquainted for two years, having met at the Sidmouth Festival. Although they did not initially like each other, their parents encouraged them to play together, and both were impressed by the power of their two unaccompanied fiddles and singing (such a format being something of a rarity in English traditional music). Their debut album featured original songs such as Kerr’s ‘Prague’, and ‘The Wrong Favour’, a formidable, angry tract written by Carthy, who is also a keen poet. It was followed in 1995 by Shape Of Scrape, which this time concentrated fully on traditional material such as ‘Lay Down In The Broom’ and ‘I Know My Love’.