Gizmo - Just Like Master Bates... (Reissue) (1979/2007)
Artist: Gizmo
Title: Just Like Master Bates...
Year Of Release: 1979/2007
Label: Canterbury Records
Genre: Prog Rock
Quality: Mp3 320 / Flac (image, .cue, log)
Total Time: 48:02
Total Size: 166/365 Mb (scans)
WebSite: Album Preview
Title: Just Like Master Bates...
Year Of Release: 1979/2007
Label: Canterbury Records
Genre: Prog Rock
Quality: Mp3 320 / Flac (image, .cue, log)
Total Time: 48:02
Total Size: 166/365 Mb (scans)
WebSite: Album Preview
Tracklist:
1. Gravity Brings You Down
2. Long Gone Song
3. Storyteller
4. Those Lying Eyes
5a. Kismet
5b. Hour Glass
5c. Not That Far To Go
6. Come The Day
7. Dance Of The Emmets
8. One And One Is Two
Bonus Tracks:
9. Onto The Sun
10. Armageddon
Line-up::
Brian Gould - synthesizer, keyboards
Steve Wyse - drums
Maurice Memmott - violin, keyboards
Dave Radford - guitar, vocals
Trevor Rogansky - bass
Blinding late 70s prog gem, just don’t listen too much
Bridging prog’s lost years between the behemoths of old and new astral wanderers such as Porcupine Tree and IQ, Gizmo were deeply out of step with the times. Distilling the prog template of old into shorter, palatable songs, however, Gizmo fashioned a record that was in fact way ahead of it’s time. There are clearly New Wave touches to the likes of Those Lying Eyes and Long Gone Song, but the influence of the Canterbury scene generally, and Gentle Giant specifically, make this an album fans of both periods should savour. That the band clearly understood the limits of endless noodling is most discernable on Come The Day, on which Maurice Memmott’s able fiddle lends a welcome folkiness. Of course, Gizmo weren’t successful at the time, but this is testament that, come the tail-end of the 70s, prog was still bubbling healthily underground. With the original vinyl changing hands for ridiculous sums, this is an extremely welcome release for anyone interested in completing their prog jigsaw. The two bonus tracks just about make up for the ridiculous title.
Bridging prog’s lost years between the behemoths of old and new astral wanderers such as Porcupine Tree and IQ, Gizmo were deeply out of step with the times. Distilling the prog template of old into shorter, palatable songs, however, Gizmo fashioned a record that was in fact way ahead of it’s time. There are clearly New Wave touches to the likes of Those Lying Eyes and Long Gone Song, but the influence of the Canterbury scene generally, and Gentle Giant specifically, make this an album fans of both periods should savour. That the band clearly understood the limits of endless noodling is most discernable on Come The Day, on which Maurice Memmott’s able fiddle lends a welcome folkiness. Of course, Gizmo weren’t successful at the time, but this is testament that, come the tail-end of the 70s, prog was still bubbling healthily underground. With the original vinyl changing hands for ridiculous sums, this is an extremely welcome release for anyone interested in completing their prog jigsaw. The two bonus tracks just about make up for the ridiculous title.