Sarah Jane Morris - Bloody Rain (2014) Lossless
Artist: Sarah Jane Morris
Title: Bloody Rain
Year Of Release: 2014
Label: Fallen Angel
Genre: Jazz, Pop, Soul, R&B
Quality: Flac (tracks)
Total Time: 01:11:49
Total Size: 460 Mb
WebSite: Album Preview
Title: Bloody Rain
Year Of Release: 2014
Label: Fallen Angel
Genre: Jazz, Pop, Soul, R&B
Quality: Flac (tracks)
Total Time: 01:11:49
Total Size: 460 Mb
WebSite: Album Preview
Tracklist:
01. Feel The Love
02. For A Friend
03. No Beyonce
04. I Shal Be Released
05. David Kato
06. Comfort They Have Non
07. Bloody Rain
08. Wild Flowers
09. Across The Desert To Love
10. Deeper Well
11. Coal Train (Stimela)
12. Get Then Out
13. On My Way To You
14. Men Just Want To Have Fun
15. Bonus Track
Sarah Jane Morris (born 21 March 1959, in Southampton, England) is an English singer of pop, jazz, rock and R&B and a songwriter.
In 1982, Morris joined The Republic as lead singer. A London-based Afro-Caribbean-Latin band with leftish[when defined as?] tendencies, they received enormous publicity from the music press including cover stories with NME and City Limits and a documentary for Granada TV. But the band was deemed too political for radio play, with the exception of Capital London. The Republic were signed to Charlie Gillett's Oval Records Ltd and released an EP entitled Three Songs From The Republic and two singles entitled "One Chance" and "My Spies". Success did not follow and the band split up in 1984.
Morris then sang with The Happy End, a 21-piece brass band named after Bertolt Brecht, Elisabeth Hauptmann and Kurt Weill's musical play. Playing a circuit that included Brighton's Zap Club and the Edinburgh Festival Fringe, The Happy End explored protest music from Africa, Ireland and Latin America on a way that emulated Charlie Haden's Liberation Music Orchestra.
Morris explored her more theatrical side on Brecht/Eisler's There's Nothing Quite Like Money and Brecht/Weill's Pirate Jenny from The Threepenny Opera.
The Happy End released two albums on the Cooking Vinyl label with Morris. Following a successful Edinburgh run in 1986, Morris then decamped to chart success with The Communards.
Morris found fame initially with the Communards, who are best known for their hit "Don't Leave Me This Way". Morris featured prominently on many Communards tracks, her low vocal range contrasting with Jimmy Somerville's falsetto. She has also recorded as a solo artist, releasing albums since 1989. These have enjoyed most popularity in Italy and Greece.
Morris also contributed to the opera The Fall of the House of Usher (1991) by Peter Hammill and Judge Smith, singing the part of the chorus. She also sang the part of Mère Ubu on the Pere Ubu album Long Live Père Ubu! (2009), which features songs from Bring Me The Head of Pere Ubu, David Thomas's theatrical adaptation of Alfred Jarry's Ubu Roi.
She is a cousin of American author Armistead Maupin.
Morris is managed by Juliet Sharman Matthews who runs JPSM Management and was her A & R Manager when she was signed to Jive Records.
In 1982, Morris joined The Republic as lead singer. A London-based Afro-Caribbean-Latin band with leftish[when defined as?] tendencies, they received enormous publicity from the music press including cover stories with NME and City Limits and a documentary for Granada TV. But the band was deemed too political for radio play, with the exception of Capital London. The Republic were signed to Charlie Gillett's Oval Records Ltd and released an EP entitled Three Songs From The Republic and two singles entitled "One Chance" and "My Spies". Success did not follow and the band split up in 1984.
Morris then sang with The Happy End, a 21-piece brass band named after Bertolt Brecht, Elisabeth Hauptmann and Kurt Weill's musical play. Playing a circuit that included Brighton's Zap Club and the Edinburgh Festival Fringe, The Happy End explored protest music from Africa, Ireland and Latin America on a way that emulated Charlie Haden's Liberation Music Orchestra.
Morris explored her more theatrical side on Brecht/Eisler's There's Nothing Quite Like Money and Brecht/Weill's Pirate Jenny from The Threepenny Opera.
The Happy End released two albums on the Cooking Vinyl label with Morris. Following a successful Edinburgh run in 1986, Morris then decamped to chart success with The Communards.
Morris found fame initially with the Communards, who are best known for their hit "Don't Leave Me This Way". Morris featured prominently on many Communards tracks, her low vocal range contrasting with Jimmy Somerville's falsetto. She has also recorded as a solo artist, releasing albums since 1989. These have enjoyed most popularity in Italy and Greece.
Morris also contributed to the opera The Fall of the House of Usher (1991) by Peter Hammill and Judge Smith, singing the part of the chorus. She also sang the part of Mère Ubu on the Pere Ubu album Long Live Père Ubu! (2009), which features songs from Bring Me The Head of Pere Ubu, David Thomas's theatrical adaptation of Alfred Jarry's Ubu Roi.
She is a cousin of American author Armistead Maupin.
Morris is managed by Juliet Sharman Matthews who runs JPSM Management and was her A & R Manager when she was signed to Jive Records.
