Coleman Hawkins - Coleman Hawkins And His Confreres (2014) [Hi-Res]
Artist: Coleman Hawkins
Title: Coleman Hawkins And His Confreres
Year Of Release: 1958 / 2014
Label: Universal Music / Verve
Genre: Jazz
Quality: FLAC (tracks) [192kHz/24bit]
Total Time: 34:58 min
Total Size: 1.45 GB
WebSite: Album Preview
Tracklist:Title: Coleman Hawkins And His Confreres
Year Of Release: 1958 / 2014
Label: Universal Music / Verve
Genre: Jazz
Quality: FLAC (tracks) [192kHz/24bit]
Total Time: 34:58 min
Total Size: 1.45 GB
WebSite: Album Preview
1. Maria [06:31]
2. Sunday [05:20]
3. Hanid [04:52]
4. Honey Flower [08:41]
5. Nabob [09:31]
Personnel:
Roy Eldridge - trumpet (on tracks 3-6)
Coleman Hawkins - tenor saxophone
Ben Webster - tenor saxophone (on tracks 1, 2)
Hank Jones - piano (on tracks 3-6)
Oscar Peterson - piano (on tracks 1, 2)
Herb Ellis - guitar (on tracks 1, 2)
George Duvivier - bass (on tracks 3-6)
Ray Brown - bass (on tracks 1, 2)
Mickey Sheen - drums (on tracks 3-6)
Alvin Stoller - drums (on tracks 1, 2)
Ben Webster had long before passed through the ranks of imitator, then pupil and finally master. His 'college attendance,' as one might put it, in the Duke Ellington Orchestra gave him a sureness of expression in his great showpieces and he also learned to hold his own against such musical giants as Paul Gonsalves and Jimmy Hamilton. 'Hawk' was able to thoroughly enjoy his fame in numerous Jazz At The Philharmonic concerts given all over the world, where, of course, he had to assert himself against many other saxophone players.
Two such JATP ensembles are to be found on the Confreres LP. The relaxed atmosphere is particularly noticeable in the title 'Sunday' in which Roy Eldridge comes into the limelight with a brilliant solo. And just listen to George Buvivier's marvelous bass playing (in 'Nabab!') where he certainly has no reason to hide in the shadow thrown by Ray Brown. Coleman Hawkins' voluminous, supple sound which had a great influence on the styles of musicians ranging from Dexter Gordon and Sonny Rollins up to Joe Lovano, is best heard after Roy's solo in 'Honey Flower.'
The rhythm section blends together in fine rapport. This is a healthy example of uncluttered, uncomplexed, and unneurotic jazz blowing by as worthy a company of musicians as could be desired.
Two such JATP ensembles are to be found on the Confreres LP. The relaxed atmosphere is particularly noticeable in the title 'Sunday' in which Roy Eldridge comes into the limelight with a brilliant solo. And just listen to George Buvivier's marvelous bass playing (in 'Nabab!') where he certainly has no reason to hide in the shadow thrown by Ray Brown. Coleman Hawkins' voluminous, supple sound which had a great influence on the styles of musicians ranging from Dexter Gordon and Sonny Rollins up to Joe Lovano, is best heard after Roy's solo in 'Honey Flower.'
The rhythm section blends together in fine rapport. This is a healthy example of uncluttered, uncomplexed, and unneurotic jazz blowing by as worthy a company of musicians as could be desired.