Quatuor Van Kuijk - Mozart (2016) [Hi-Res]
Artist: Quatuor Van Kuijk
Title: Mozart: String Quartets Nos. 16 and 19 & Divertimento, K. 136
Year Of Release: 2016
Label: Alpha
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz
Total Time: 01:07:59
Total Size: 327 / 1244 mb
WebSite: Album Preview
TracklistTitle: Mozart: String Quartets Nos. 16 and 19 & Divertimento, K. 136
Year Of Release: 2016
Label: Alpha
Genre: Classical
Quality: flac lossless / flac 24bits - 96.0kHz
Total Time: 01:07:59
Total Size: 327 / 1244 mb
WebSite: Album Preview
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01. String Quartet No. 16 in E-Flat Major, K. 428: I. Allegro non troppo
02. String Quartet No. 16 in E-Flat Major, K. 428: II. Andante con moto
03. String Quartet No. 16 in E-Flat Major, K. 428: III. Menuetto (Allegro - Trio)
04. String Quartet No. 16 in E-Flat Major, K. 428: IV. Allegro vivace
05. Divertimento in D Major, K. 136: I. Allegro
06. Divertimento in D Major, K. 136: II. Andante
07. Divertimento in D Major, K. 136: III. Presto
08. String Quartet No. 19 in C Major, K. 465 "Dissonance": I. Adagio - Allegro
09. String Quartet No. 19 in C Major, K. 465 "Dissonance": II. Andante cantabile
10. String Quartet No. 19 in C Major, K. 465 "Dissonance": III. Menuetto (Allegro - Trio)
11. String Quartet No. 19 in C Major, K. 465 "Dissonance": IV. Allegro molto
Shortly after he arrived in Vienna in 1782, Wolfgang Amadeus Mozart began composing his six "Haydn" Quartets, inspired by recent contact with his new friend, Franz Joseph Haydn. Not only had Haydn composed an important set of string quartets in 1781, which Mozart studied closely, he also played violin in a quartet with Mozart as violist. These influences led Mozart to compose his String Quartet No. 16 in E flat major, K. 428, and his String Quartet No. 19 in C major, K. 465, "Dissonant," which bookend the Divertimento in D major, K. 136, on this 2016 release from Alpha Classics. The Quatuor Van Kuijk, a French string quartet in spite of its Dutch name, deliver exciting and engaging performances of the string quartets, finding the right blend of flashiness and warmth that characterize Mozart's newfound maturity. Yet the youthful Divertimento is treated with comparable brilliance, if slightly less ardor, and all three works make a delightful program, showing important aspects of the development of the Classical style. The recordings are focused and detailed, though the acoustics of Queen Elisabeth Music Chapel in Waterloo create an aural halo that at times softens the Quatuor Van Kuijk's edge.
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