Yundi Li - The Red Piano (2012)
Artist: Yundi Li
Title: The Red Piano
Year Of Release: 2012
Label: EMI Classics
Genre: Classical
Quality: FLAC (tracks)
Total Time: 64:58 min
Total Size: 238 MB
WebSite: Album Preview
Tracklist:Title: The Red Piano
Year Of Release: 2012
Label: EMI Classics
Genre: Classical
Quality: FLAC (tracks)
Total Time: 64:58 min
Total Size: 238 MB
WebSite: Album Preview
01. Prelude: The Song of the Yellow River Boatmen
02. Ode to the Yellow River
03. The Wrath of the Yellow River
04. Defend the Yellow River
05. In That Place Wholly Faraway
06. Glowing Red Morningstar Lilies
07. Pi Huang
08. Remote Shangri-La
09. Liu Yang River
10. Kangding Love Song
11. Colourful Clouds Chasing The Moon
12. Dali Girl
13. Following the Brother
14. Puzzle Tune
15. Mountain Song
16. Dragon Lantern Tune
17. Celebrating Our New Life
18. Why Are The Flowers So Red?
19. My Motherland
20. March of the Volunteers
After achieving stardom in the west with high-profile competition wins, concert performances, and recordings of the music of Frederic Chopin and Franz Liszt, Chinese pianist Yundi Li turns his abundant skills to the music of his homeland on EMI Classics' 2012 album The Red Piano. The most famous work on this disc is the Yellow River Piano Concerto, a product of the cultural revolution that emulates the grandiose gestures and heroic expressions of the Romantic piano concertos of Liszt, Grieg, and Rachmaninov. Anyone familiar with Yundi's powerful technical abilities and showmanship will find his playing to be true to form: propulsive, hard-edged, vigorous, and frequently brilliant, especially in the execution of runs and octaves. The energetic and colorful orchestral accompaniment is provided by the China NCPA Concert Hall Orchestra, conducted by Chen Zuohuang. Following the concerto, Yundi offers a selection of keyboard arrangements of Chinese songs, presented as a solo recital in a rather private and reflective mood. There's actually little of Yundi's dynamism here, and his flashiness is put more to shimmering effects than to demonstrations of prestidigitation. EMI's sound is excellent, so everything is fully audible with enormous presence in the concerto and intimate sound in the solo pieces. -- Blair Sanderson