Jack Lee - La Habana (2019) FLAC
Artist: Jack Lee
Title: La Habana
Year Of Release: 2019
Label: Truspace Records
Genre: Jazz, Smooth Jazz
Quality: FLAC (tracks)
Total Time: 54:12 min
Total Size: 324 MB
WebSite: Album Preview
Tracklist:Title: La Habana
Year Of Release: 2019
Label: Truspace Records
Genre: Jazz, Smooth Jazz
Quality: FLAC (tracks)
Total Time: 54:12 min
Total Size: 324 MB
WebSite: Album Preview
01. La Habana
02. Emerald Dream
03. God Bless the Child
05. Gratitude
06. Brushstroke
08. Amalfi
09. I See You
10. Vivre de Amor
11. Passport
12. Amalfi (Radio Edit)
Recorded in 2017-2018 during travels to USA, Mexico, Cuba, China and Japan, Jack’s 15th album as a leader features 11 groove oriented tracks, featuring A-List musicians; Nathan East, Steve Ferrone, Antonio Sanchez, Michael Thompson, Harvey Mason, Norihito Sumitomo among others..
With La Habana, guitarist and composer Jack Lee evokes a pastiche of warm sounds and deep grooves that evoke tropical light and air. With the bottom locked into deep pockets by bassist Nathan East and Drummer Steve Ferrone, lush, funky textures with an expansive sonic palette from collaborators guitarist Michael Thomson, keyboarding Charles Blenzig and keyboard/sax wizard Norihito “Mimi” Sumitomo, Jack delivers a hip, sophisticated album showcasing his fleet fingered guitar playing and thoughtful songwriting.
The album starts off with the title tune La Habana, a breezy reggae feel with evocative keyboards bubbling with sunshine and tropical air. Emerald Dream serves up a midtempo deep groove that shimmers with smooth, wistful turnarounds and a lush harmonic backdrop. A retake of the classic God Bless the Child works off a deep pocket southern shuffle feel with a blues-inflected guitar, with a just a hint of Miles. September Song is boisterous re-adaptation of the song Jasmine by Ed Maguire on keys, with propulsive drumming from the brilliant Antonio Sanchez, masterful horn arrangements from Norihito Sumitomo that evoke cheery New Orleans as Jack puts a greasy tinge on his articulation. Southern cooking. Gratitude is another reimagining, collaboration with Ed Maguire- and it takes us to church. The vibe is steeped in bluesy gospel feeling, with Antonio Sanchez, and Charles Blenzig’s piano and organ and Mimi’s horn arrangements opening up a wistful blue big band sound.
‘Brushstrokes’ is acoustic guitar inflected with a sweet melody with tinges of Pat Metheny’s influence. With ‘Katie’, Jack hearkens to George Benson with octaves on the guitar over medium tempo shuffle in minor R&B vibe featuring a sax solo from Alex Foster. Amalfi is another collaboration with Ed Maguire, straight down into a funky Steely Dan-inflected groove with those sardonic, yet hip horns. I See You gets deeper into the groove with funky slap bass from David Dyson, lush chords, guitar synth from Jack and a sax solo from Mimi. Vivre de Amor is a collaboration with the great Brazilian guitarist Toninho Horta, that re-factors Toninho’s unique changes into a funky backline with bassist Dave Dyson and Tim Carmon on keyboards. The final song Passport is an uptempo tropically tinged song, with With Harvey Mason on drums and Hogyu Hwang on fretless bass.
With La Habana, guitarist and composer Jack Lee evokes a pastiche of warm sounds and deep grooves that evoke tropical light and air. With the bottom locked into deep pockets by bassist Nathan East and Drummer Steve Ferrone, lush, funky textures with an expansive sonic palette from collaborators guitarist Michael Thomson, keyboarding Charles Blenzig and keyboard/sax wizard Norihito “Mimi” Sumitomo, Jack delivers a hip, sophisticated album showcasing his fleet fingered guitar playing and thoughtful songwriting.
The album starts off with the title tune La Habana, a breezy reggae feel with evocative keyboards bubbling with sunshine and tropical air. Emerald Dream serves up a midtempo deep groove that shimmers with smooth, wistful turnarounds and a lush harmonic backdrop. A retake of the classic God Bless the Child works off a deep pocket southern shuffle feel with a blues-inflected guitar, with a just a hint of Miles. September Song is boisterous re-adaptation of the song Jasmine by Ed Maguire on keys, with propulsive drumming from the brilliant Antonio Sanchez, masterful horn arrangements from Norihito Sumitomo that evoke cheery New Orleans as Jack puts a greasy tinge on his articulation. Southern cooking. Gratitude is another reimagining, collaboration with Ed Maguire- and it takes us to church. The vibe is steeped in bluesy gospel feeling, with Antonio Sanchez, and Charles Blenzig’s piano and organ and Mimi’s horn arrangements opening up a wistful blue big band sound.
‘Brushstrokes’ is acoustic guitar inflected with a sweet melody with tinges of Pat Metheny’s influence. With ‘Katie’, Jack hearkens to George Benson with octaves on the guitar over medium tempo shuffle in minor R&B vibe featuring a sax solo from Alex Foster. Amalfi is another collaboration with Ed Maguire, straight down into a funky Steely Dan-inflected groove with those sardonic, yet hip horns. I See You gets deeper into the groove with funky slap bass from David Dyson, lush chords, guitar synth from Jack and a sax solo from Mimi. Vivre de Amor is a collaboration with the great Brazilian guitarist Toninho Horta, that re-factors Toninho’s unique changes into a funky backline with bassist Dave Dyson and Tim Carmon on keyboards. The final song Passport is an uptempo tropically tinged song, with With Harvey Mason on drums and Hogyu Hwang on fretless bass.