Simone Rubino - Immortal Bach (2017) [Hi-Res]
Artist: Simone Rubino
Title: Immortal Bach
Year Of Release: 2017
Label: Genuin
Genre: Classical, Instrumental
Quality: flac lossless / flac 24bits - 48.0kHz +Booklet
Total Time: 00:56:54
Total Size: 198 / 517 mb
WebSite: Album Preview
TracklistTitle: Immortal Bach
Year Of Release: 2017
Label: Genuin
Genre: Classical, Instrumental
Quality: flac lossless / flac 24bits - 48.0kHz +Booklet
Total Time: 00:56:54
Total Size: 198 / 517 mb
WebSite: Album Preview
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01. Cello Suite No. 3 in C Major, BWV 1009: I. Prélude (Arr. E. Egüez)
02. Cello Suite No. 3 in C Major, BWV 1009: II. Allemande (Arr. E. Egüez)
03. Esegesi
04. Cello Suite No. 3 in C Major, BWV 1009: III. Courante (Arr. E. Egüez)
05. Power Station
06. Cello Suite No. 3 in C Major, BWV 1009: IV. Sarabande (Arr. E. Egüez)
07. Immortal Bach (After J.S. Bach's Komm, süßer Tod, BWV 478) [Arr. for 4 Marimbas]
08. Cello Suite No. 3 in C Major, BWV 1009: V. Bourrées I & II (Arr. E. Egüez)
09. Rebonds B
10. Cello Suite No. 3 in C Major, BWV 1009: VI. Gigue (Arr. E. Egüez)
11. Third Construction
When Simone Rubino plays Johann Sebastian Bach on the marimba, his music seems to be released of temporality, more so than in its original form. It sounds like the music of the spheres: ancient and brand new ... and more than ever when the prizewinner of numerous competitions (including the International ARD Competition) combines Bach with works of the 20th and 21st centuries. Virtuosic, iridescent pieces for marimba, vibraphone and much more. The finest structures and shades are transparent, for example, in "Esegesi" by Roberto Bocca, which is presented here as a world premiere recording. Percussion pleasure at its finest, and not just for fans of drums and Bach. “What should one praise more: the incredible dexterity with which he executes thunderous rolls on the drums, tom-toms and bongos, makes the claves clang or dances along the xylophone? Or the sensitivity with which the gongs, chimes and cymbals blend with the high strings and delecate woodwinds?” (Isabel Herzfelt, Der Tagesspiegel)