Zsolt Kalló, Capella Savaria, László Feriencsik & Andrea Bertalan - Vivaldi: Concertos (2018)

Tracklist
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01. Violin Concerto in G Minor, Op. 8 No. 8, RV 332: I. Allegro
02. Violin Concerto in G Minor, Op. 8 No. 8, RV 332: II. Largo
03. Violin Concerto in G Minor, Op. 8 No. 8, RV 332: III. Allegro
04. Bassoon Concerto in E Minor, RV 484: I. Allegro poco
05. Bassoon Concerto in E Minor, RV 484: II. Andante
06. Bassoon Concerto in E Minor, RV 484: III. Allegro
07. Flute Concerto in G Major, Op. 10 No. 6, RV 437 "Il cavallo": I. Allegro
08. Flute Concerto in G Major, Op. 10 No. 6, RV 437 "Il cavallo": II. Largo
09. Flute Concerto in G Major, Op. 10 No. 6, RV 437 "Il cavallo": III. Allegro
10. Violin Concerto in D Minor, RV 241: I. Allegro
11. Violin Concerto in D Minor, RV 241: II. Grave
12. Violin Concerto in D Minor, RV 241: III. Allegro
13. Bassoon Concerto in C Major, RV 472: I. Allegro non molto
14. Bassoon Concerto in C Major, RV 472: II. Andante molto
15. Bassoon Concerto in C Major, RV 472: III. Allegro
16. Flute Concerto in D Major, Op. 10 No. 3, RV 428 "Il gardellino": I. Allegro
17. Flute Concerto in D Major, Op. 10 No. 3, RV 428 "Il gardellino": II. Cantabile
18. Flute Concerto in D Major, Op. 10 No. 3, RV 428 "Il gardellino": III. Allegro
19. Chamber Concerto in D Major, RV 91: I. Allegro
20. Chamber Concerto in D Major, RV 91: II. Largo
21. Chamber Concerto in D Major, RV 91: III. Allegro non molto


Hungarian period instrument orchestra Capella Savaria has been hailed by the Canadian Opus Magazine as “one of Europe’s best ensembles”. Their new release offers an insight into Antonio Vivaldi’s concerto œuvre consisting of over 500 fascinating compositions. Besides the undoubtedly most substantial (and popular) pieces, the album also has a selection of concertos for flute and bassoon occasionally evoking the atmosphere of Vivaldi’s most renowned composition, The Four Seasons. Founded in 1981, in Szombathely, Capella Savaria has earned its fame as the first period instrument chamber orchestra of Hungary. Its innovative efforts created quite a sensation at the time in musical circles. The ensemble’s objectives were, from the onset, to play Baroque and Classical music in an authentic way by relying on genuine documents of the period. The founding artistic director was Pal Nemeth, followed by Zsolt Kallo who has been directing the ensemble since 1999. The members play authentic 18th century instruments or their copies.

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