Johannes Moser - Elgar & Tchaikovsky: Cello Works (2017) FLAC

  • 10 Aug, 10:06
  • change text size:

Artist:
Title: Elgar & Tchaikovsky: Cello Works
Year Of Release: 2017
Label: Pentatone
Genre: Classical
Quality: FLAC (tracks, booklet)
Total Time: 64:45 min
Total Size: 309 MB
WebSite:

Tracklist:

Edward Elgar: Cello Concerto in E Minor, Op. 85
I. Adagio - Moderato
II. Lento - Allegro molto
III. Adagio
IV. Allegro - Moderato - Allegro ma non troppo

Pyotr Ilyich Tchaikovsky: Variations on a Rococo Theme in A Major, Op. 33, TH 57 (Original Version)
Thema. Moderato assai quasi andante
Theme. Moderato simplice
Var. 1, Tempo della thema
Var. 2, Tempo della thema
Var. 3, Andante
Var. 4, Allegro vivo
Var. 5, Andante grazioso
Var. 6, Allegro moderato
Var. 7, Andante sostenuto
Var. 8 & Coda. Allegro moderato con anima

Pyotr Ilyich Tchaikovsky: 6 Morceaux, Op. 19, TH 133
No. 4, Nocturne (Version for Cello & Orchestra)

Pyotr Ilyich Tchaikovsky: String Quartet No. 1 in D Major, Op. 11, TH 111
II. Andante cantabile (Version for Cello & String Orchestra)

Pyotr Ilyich Tchaikovsky: Pezzo capriccioso in B Minor, Op. 62, TH 62
Pezzo capriccioso in B Minor, Op. 62, TH 62


The profoundly moving, elegiac lyricism of Elgar and the wistful charm and brilliance of Tchaikovsky are on full display in this irresistible new release from PENTATONE played with consummate virtuosity by the German-Canadian cellist Johannes Moser with the Orchestre de la Suisse Romande under Andrew Manze.

Composed at the end of the First World War, Elgar’s powerful Cello Concerto in E minor is one of his best-loved and most deeply-felt works. The soloist’s wrenching chords which open the work announce a mood of profound resignation and loss; gone is the youthful swagger of his earlier works, replaced instead with lonely introspection and longing, especially in the sublimely beautiful Adagio. The cello is given free rein in the vigorous final movement but the opening mood prevails as an anguished outburst from the cello brings the work to a close.

No such dejection hangs over Tchaikovsky’s delightful Variations on a Rococo Theme which ooze elegance, ineffable charm and daring displays of technical brilliance. While the Pezzo capriccioso finds Tchaikovsky in a more restrained mood, with the Nocturne and Andante Cantabile he wears his romantic heart full on his sleeve.

The cellist Johannes Moser is no stranger to these works. Winner of the top prize at the 2002 Tchaikovsky Competition, he was also awarded the Special Prize for his interpretation of the Variations on a Rococo Theme.

Described by Gramophone as “one of the finest among the astonishing gallery of young virtuoso cellists” and by the LA Times as a musician who “…connects with the audience in a way that only great artists do”, this is Moser’s third outing for PENTATONE.

His first album of concertos by Dvorak and Lalo was widely praised for his “performance of enormous flair and effervescence” (BBC Music Magazine) and “his dazzling virtuosity, free, passionate phrasing and immense energy … that recalls Pablo Casals’ iconic 1937 recording” (Strings)


  • platico
  •  05:44
  • Пользователь offline
    • Нравится
    • 0
gracias...
  • canariasesmusica
  •  10:02
  • Пользователь offline
    • Нравится
    • 0
Muchísimas gracias! Thank you so much!
  • digitalways
  •  13:39
  • Пользователь offline
    • Нравится
    • 0
Thanks a lot!