Christiane Libor - Brahms: Ein Deutsches Requiem (2015) [Hi-Res]
Artist: Christiane Libor
Title: Brahms: Ein Deutsches Requiem
Year Of Release: 2015
Label: 2xHD - Naxos
Genre: Classical
Quality: 24bit-96kHz FLAC (tracks+booklet)
Total Time: 01:15:09
Total Size: 1.29 GB
WebSite: Album Preview
Tracklist:Title: Brahms: Ein Deutsches Requiem
Year Of Release: 2015
Label: 2xHD - Naxos
Genre: Classical
Quality: 24bit-96kHz FLAC (tracks+booklet)
Total Time: 01:15:09
Total Size: 1.29 GB
WebSite: Album Preview
1. I. Selig sind, die da Leid tragen 12:13
2. II. Denn alles Fleisch es ist wie Gras 14:55
3. III. Herr, lehre doch mich 10:11
4. IV. Wie lieblich sind deine Wohnungen 05:29
5. V. Ihr habt nun Traurigkeit 07:28
6. VI. Denn wir haben hie keine bleibende Statt 12:30
7. VII. Selig sind die Toten 12:29
The longest work in Brahms’s entire oeuvre, A German Requiem was almost certainly triggered by the death of his mother, although it also seems likely that the tragic loss of his friend Robert Schumann, some years earlier, added to its depth and eloquence.
Taking inspiration from Bach’s contrapuntal genius but avoiding overt religious tradition, Brahms chose the texts himself, placing an emphasis on an affirmation of life with the suggestion that he would gladly have substituted ‘human’ for ‘German’ in the title.
This release joins Antoni Wit’s ‘richly satisfying’ (Gramophone) recording of Brahms Choral Music [8572694].
This stunning release on HighResAudio follows the success of Antoni Wit and his Warsaw musicians in their Janáček Glagolitic Mass (8572639 & NBD0026) which was given five stars by BBC Music Magazine and described as “gripping from start to finish” by Gramophone.
Wit’s track record in Brahms is also proven, with his Brahms Choral Music (8572694) considered “a trove with as much musical-dramatic weight as many an opera” (Opera News) and “marvellously sung and played” (Gramophone). The best soloists top the bill for this recording of A German Requiem, soprano Christine Libor admired by Opera News for “the quality of her voice, the sheer beauty of tone from top to bottom.” Acclaimed baritone Thomas E. Bauer’s recordings have received awards such as the Orphée d’Or, the Stanley Sadie Prize and a Gramophone Award.
One of the most highly regarded Polish conductors, Antoni Wit is professor at the Fryderyk Chopin University of Music in Warsaw. In 2010 he won the annual award of the Karol Szymanowski Foundation for his promotion of the music of Szymanowski in his Naxos recordings.
“The Warsaw Philharmonic Choir sings beautifully throughout, but I wish the corporate sound were richer...Wit conducts with considerable insight and interpretative command and the recording quality is eqaully first-rate...In terms of modern performance practice...this new Naxos version would be very hard to beat.” (International Record Review)
“This is a choir-led performance of the German Requiem...the Warsaw Philharmonic Choir...is always here the centre of gravity, creating the music's existential continuum and arising to sombre unexpected splendour...Wit seems to hold back emotionally so that the big choral moments can have maximum impact.” (BBC Music Magazine)
Christiane Libor, soprano
Thomas E. Bauer, baritone
Warsaw Philharmonic Choir
Warsaw Philharmonic Orchestra
Antoni Wit, conductor
Digitally remastered
Taking inspiration from Bach’s contrapuntal genius but avoiding overt religious tradition, Brahms chose the texts himself, placing an emphasis on an affirmation of life with the suggestion that he would gladly have substituted ‘human’ for ‘German’ in the title.
This release joins Antoni Wit’s ‘richly satisfying’ (Gramophone) recording of Brahms Choral Music [8572694].
This stunning release on HighResAudio follows the success of Antoni Wit and his Warsaw musicians in their Janáček Glagolitic Mass (8572639 & NBD0026) which was given five stars by BBC Music Magazine and described as “gripping from start to finish” by Gramophone.
Wit’s track record in Brahms is also proven, with his Brahms Choral Music (8572694) considered “a trove with as much musical-dramatic weight as many an opera” (Opera News) and “marvellously sung and played” (Gramophone). The best soloists top the bill for this recording of A German Requiem, soprano Christine Libor admired by Opera News for “the quality of her voice, the sheer beauty of tone from top to bottom.” Acclaimed baritone Thomas E. Bauer’s recordings have received awards such as the Orphée d’Or, the Stanley Sadie Prize and a Gramophone Award.
One of the most highly regarded Polish conductors, Antoni Wit is professor at the Fryderyk Chopin University of Music in Warsaw. In 2010 he won the annual award of the Karol Szymanowski Foundation for his promotion of the music of Szymanowski in his Naxos recordings.
“The Warsaw Philharmonic Choir sings beautifully throughout, but I wish the corporate sound were richer...Wit conducts with considerable insight and interpretative command and the recording quality is eqaully first-rate...In terms of modern performance practice...this new Naxos version would be very hard to beat.” (International Record Review)
“This is a choir-led performance of the German Requiem...the Warsaw Philharmonic Choir...is always here the centre of gravity, creating the music's existential continuum and arising to sombre unexpected splendour...Wit seems to hold back emotionally so that the big choral moments can have maximum impact.” (BBC Music Magazine)
Christiane Libor, soprano
Thomas E. Bauer, baritone
Warsaw Philharmonic Choir
Warsaw Philharmonic Orchestra
Antoni Wit, conductor
Digitally remastered
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Brahms- Ein Deutsches Requiem.rar - 1.3 GB
Brahms- Ein Deutsches Requiem.rar - 1.3 GB